远大前程2016

简介：在日本大城市的某个角落，生活着一个与周遭格格不入的沉默女孩久美子（菊地凛子 饰）。她是灰暗的匆忙世界中难得一见的一抹亮色，只不过大多时候她都泯灭人群之中。每天上班时分，穿着工装的她宛如没有灵魂的木偶，目光呆滞地等待下班时间。同侪们聚在一起讨论时尚话题，她则蜷缩在茶水间为 上司准备茶水，心中隐藏着促狭阴暗的念头，只不过最终没有勇气实现。久美子是一只没有自由的工蚁，被上司使唤来使唤去，她空虚呆滞地行走，甚至不愿跟老同学们有任何的交流和接触。夜幕降临，逼仄的公寓内是她小而安全的理想王国。她用泡面喂兔子，最爱观看的是一部名为《冰血暴》（Fargo，1996）的电影。由于反复播放，录影带的画质已经不堪入目，她坚信剧中人所埋藏的宝藏一定存在。　　世界那么大，她想去挖挖。

简介：多得有妮可（纳嘉·乌尔 Nadja Uhl 饰）家中的那个小阳台，她和邻居兼死党凯琳（英卡·芙德瑞Inka Friedrich 饰）得以互诉心事，消解夏天烦躁，细品人生况味。每个清风习习的傍晚，妮可和凯琳都在阳台上喝可乐和酒。妮可每天都细心照顾独居老人，而未婚妈妈凯琳为儿子的学业爱情操心，没有好工作、好伴侣的两个好姊妹，在这里幻想着新感情的出现。　　他终于出现了。是一个货车司机，名叫罗纳（安德雷斯·施密特Andreas Schmidt 饰），妮可内心的感情在萌芽。罗纳肯定是一个优秀的专一的伴侣——妮可一度这样认定。罗纳搬到妮可家中住下，也慢慢走近了邻居凯琳的生活，三个人之间的感情纠葛渐渐升级。凯琳和妮可甚至有了争吵，和谐的关系似乎渐渐远去。其实，这个夏天的妮可阳台的风景，还远未结束呢。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：传教士沃利斯·德韦有着一个漂亮的妻子，他在德州传教，激励着大批信徒。但有一天他的生活发生了巨大变化：他发现妻子和另一年轻传教士偷情，一时气盛把年轻教士打成了植物人。他隐名埋姓，逃到很远的小镇，并从内心深处为自己的过去忏悔。在那里他又成了一个受人尊敬的传教士，不过后来还是被他妻子发现了。

简介：臭名昭著的 51 区爆发了一场疫情，将一群幸存者带到了地下掩体……只是为了了解……他们并不孤单。

简介：破敗的上流舊邸中，年華老去的變裝皇后一針一線地繡著寂寞。一個動盪的夜裡，年輕帥氣的革命份子卡洛斯走進她的世界，頹圮的人生再次有了綺念。為了維繫關係，她讓卡洛斯在家裡堆放不明紙箱、進行祕密聚會，明知這段忘年曖昧希望渺茫，但為了珍稀的愛，她無悔無憾。隨著同在暗處的兩人越走越近，一場風暴也漸漸成形，這段戀情及國家的未來，都將因此翻天覆地⋯⋯。                                                                    改編自拉美同運先驅萊梅貝爾的同名小說，以復古濃郁色調描繪智利風聲鶴唳的獨裁年代。同被打壓的性少數和政治少數，在歷史的十字路口談起沒有明天的戀愛。智利影帝卡斯特羅繼《愛獄王子》後再次挑戰酷兒題材，破天荒化身變裝皇后大談老少戀。不僅藉著眼神巧妙演繹出主角的不安與盼望，更精準平衡了風塵跨性女子的浪漫與滄桑。本片入圍2020年威尼斯電影節威尼斯日單元。

简介：A young man takes her girlfriend back to his hometown in Oregon to introduce her to his family for the first time, but nothing goes as planned.

简介：剧情简介暂缺，敬请期待

简介：吸血鬼狂热爱好者查理•布莱维斯特（William Ragsdale 饰）最大的爱好就是在深夜看恐怖电影。某晚，他隔壁的空房子里来了两个不速之客，根据多年观看恐怖片的经验，查理断定这两个人一定是吸血鬼。然而无论是警察，还是好友女友，没有一个人相信他的说辞。　　万般无奈之下，查理只能请来恐怖电视节目“颤栗之夜”的主持人皮特•文森特（Roddy McDowell 饰）。虽然文森特质疑查理的说法，但看在钱的份上他还是前来调查。面对纠缠不休的查理，吸血鬼杰瑞（Chris Sarandon 饰）该如何对付呢？

简介：深受全球粉丝喜爱的人气漫画《圣斗士星矢》，戛纳时间5月18日在第70届戛纳电影节场刊《银幕》（《SCREEN》）上公布即将开拍全英文真人版电影。此次《圣斗士星矢》真人版大电影，将由东映动画与真好电影共同制作打造，东映动画的池泽良幸和赵瑞元以及真好电影总裁陈永雄担任影片制片人，东映动画主席、《圣斗士星矢》动画片系列导演森下孝三将与原漫画作者车田正美共同担任执行制片，同时，真好电影将负责影片大中华地区的发行、宣传工作。

简介：1948年冬，淮海战场。电话员小于（黄小雷 饰）在执行任务中救下了准备上吊的农村姑娘玉香（李秀明 饰），玉香无以为报，愿以身相许，并诉说自已无家可归的苦难遭遇。战土们非常同情这个孤苦伶仃的姑娘，便把她留在炊事班帮忙。战斗中，玉香不顾个人安危，冒着敌人的炮火往前沿阵地为战士们送水送饭。通信员小郭（刘继忠 饰）在战斗中牺牲，小于前赴后继冲上前去，用身体接通电话线，保障了我军首长对敌师指挥所强大的政治攻势，最后与敌人同归于尽。小于的牺牲另玉香悲痛万分，而战争的残酷也使她变的更加坚强，卫生员小孙（宝珣 饰）牺牲后，玉香勇敢地接过医药箱，奔向滚滚战争洪流......

简介：剧情简介暂缺，敬请期待