家庭生活

简介：如果你想欺骗自己的爱人，那你最好别被抓包！你最好祈祷你的爱人不要在不经意间已经疯狂。凯文在这件事上学到了深刻的教训。他背着自己的女朋友和自己女友的好友发生奸情，而且不幸被女友发现。生气的女友打算自己度过浪漫的周末，从而忘记三人的狗血之事，越想越气愤的女友打算玩一次虐待的游戏，陷阱已经设好，就等猎物来袭。

简介：影片讲述了在时局黑暗的民国天津，一名正义的警察郭翀，卷入了天津卫两大势力钱家与三才帮的争斗，并最终找回他护国安民、打击罪恶信仰的故事。

简介：Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

简介：故事发生在20世纪90年代，讲述了本已打算金盆洗手的摸金三人组胡八一、王凯旋、Shirley杨在大金牙的劝说下又操起老本行，但原本以为只是简单任务的他们却因意外身陷危机，不得不重新踏上凶险万分的地下之旅。

简介：织田信长被明智光秀刺杀身亡数年后，伺候他的利休当上了信长的继承者丰臣秀吉的茶道首领。利休通过茶水的魅力，笼络了全国的武将，并尽其奢侈，营造了茶道最高府第，京都待庵。即侍候丰臣秀吉的主持僧侣的行宫。构筑了一个利休自己的世界。可是，美梦不长，自石田三成的势力增强以后，秀吉和利休的关系开始出现了激烈的矛盾。起初，利休心爱的徒弟宗二，因冒犯秀吉，被赶出行宫，杀了头。接着，石田三成向秀吉进谗言说“利休对出征朝鲜抱有怀疑”。正巧这时，利休在茶室见到秀吉，不慎谈到出兵朝鲜的事，更加激怒了秀吉。秀吉终于下了一道命令，令利休退出京都，并将他禁闭于大庭院。丰臣秀吉的妻子北政所给利休的妻子利木写了封信，说是利休如果肯认错，她想去乞求秀吉原谅利休。可是，利木的回信只是郑重其事地表示了感谢之外，没说别的事。丰臣秀吉见此信更加生气，命令利休剖腹谢罪。

简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.

简介：经营小型成衣作坊的郑紫怡（李心洁 饰）一段时间以来备受奇怪梦境的困扰，她经常会梦到一片荒郊野地，梦中她直觉感到地下埋着尸体；此外还会梦见一部破损的红电话和登门调查的女警。紫怡四处寻找解决的办法，可是情况非但没有好转，反而愈演愈烈。前夫阿明（黄德斌 饰）的失踪，更让她怀疑自己在梦游时成为了凶手。另一方面，名叫碧淇（杨采妮 饰）的女子其儿子遭到绑架，虽支付赎金仍下落不明。她身为警察的表妹（霍思燕 饰）负责调查此事，却始终未有进展。阿明失踪的事件，将紫怡和女警联系在一起。　　她们的相遇揭开了紫怡充满悲伤与黑暗的往事，也将这一连串的失踪案件引向未知的方向……

简介：每年二月份，阿根廷西北部就会开始下起热带雨林特有的倾盆大雨，雨水把广阔的森林变成了一片人畜都无法通过的沼泽湿地，炙热的太阳晒在沼泽上，热气与雾气让这儿一片死寂。五十岁老妇人梅恰，就住在这片沼泽地的边缘，她与她的表妹塔丽在这儿经营着一座农场，她们各有四个小孩，各有一个老公，两个家庭在沼泽边挣扎着生存，但是这一年夏天，两个意外事件让她们面临了生存的挑战……

简介：《魔幻仙踪》讲的是一个名为“海 婴”的小女孩寻找母亲的故事。她没有高深的法力，也经常被村里的小伙伴们排挤，但是因为某一天，突如其来的危险，海浪精灵的提示，她踏上了寻找身世的漫长之路。在这充满艰辛和挑战的一路上，海婴不再是那个幼稚脆弱的渔村姑娘，而成长为一个敢于面对邪恶，敢于面对挑战，敢于面对悲欢离合的可爱的小英雄。同时，她也收获了满满的友情。絮絮叨叨但始终不离不弃的平平与安安，曾经身 为海盗却在后来挺身相助的默默等 等，他们陪伴着海婴驰骋在充满魔幻的世界里，从人类世界到神秘的海底世界，再到奇幻的精灵世界，经历了重重磨难与艰辛，最终救出了母亲， 击碎了巫师和魔王的惊天阴谋。

简介：缉毒队队长仇索抓住了当地的毒贩子（也是自己的发小）张彪，在审讯期间由于家里出事，富二代实习民警葛帅一时疏忽，导致犯罪嫌疑人逃走。仇索被疑蓄意放人，被停职、等待处理，实习民警葛帅被免职，回家。为了证明自己的清白,为了小葛热爱的工作，仇索四处借钱、自掏腰包，准备独自一人踏上万里追凶的征途。同为警察的师父老李得知情况，顶着背处分的危险，和仇索开着局里的报废吉普踏上了追凶之路。　　另一边，葛帅觉得是自己疏忽犯了错连累了师父仇索，正愁没办法解决，得知了师父独自上路追凶的消息，便自己偷偷驾车一路追随。　　甘肃缉毒警察跨越甘、青、藏，历经一路千难万险，最后在阿里寻获毒贩子张彪同伙歪脖，在与歪脖搏斗过程中老李为了保护年轻干警葛帅身受重伤，仇索与葛帅顶着内心的内疚与自责重新踏上寻找张彪的道路，而狡猾的张彪又一而再的伺机逃跑，从西南到西北、从市区到边境，漫漫万里路，恶劣的生活条件，在荒凉苍茫的雪域高原上，师徒二人齐心协力，最终以葛帅的牺牲为代价，仇索终于在海拔四千多米的冰川山脉上将毒贩抓获。他不仅找回了丢掉的人，同时也挽回了缉毒干警的尊严。

简介：社工系大四女学生乖乖女沈蔓蔓在读高中时，经历过一段与大她一届学长李翔毫无保留、奋不顾身的爱情，和所有爱情一样，开始都是美好的，但是爱情随着时间推移，沈蔓蔓和李翔也长大了，这么多年，他们分分又合合，真正的爱情是值得哪怕用生命在等待，好听的歌不怕老，值得的人多久我都愿意等，最终沈蔓蔓和李翔的能否等到最美的爱情…….

简介：剧情简介暂缺，敬请期待