单车少年

简介：一九三五年美国波士顿一对上流社会的夫妇想要拥有孩子，可惜先生亚瑟（威廉赫特饰）不孕，太太艾琳娜（麦德琳史道威饰）建议老公不妨花钱找人让她怀孕。亚瑟同意了，于是在哈佛念法律的学生罗杰（尼尔派崔克哈里斯饰）雀屏中选。　刚从英国来到美国波士顿的麦克基隆神父（肯尼斯布莱纳饰），一心只想传递福音，刻意避开上流社会，不想与他们往来。然而，当亚瑟发现罗杰喜欢上艾琳娜，扬言要杀了罗杰时，无助的艾琳娜找他求助……没想到一向心海无波的神父，竟也爱上魅力无边的艾琳娜……

简介：男主角博是一个极度焦虑但看上去和蔼可亲的男人，因为从未见过父亲，导致他和专横的母亲关系紧张。博在一个神秘的情况下得知母亲去世，回家路上却发现关于自己的令人震惊的过去。在这旅途中，他遇到了各种疯狂的超自然威胁。

简介：艾米（娜奥米·沃茨 Naomi Watts 饰）和皮特（蒂姆·罗斯 Tim Roth 饰）是一对富有而又善良的中产夫妻，十年前，他们领养了来自非洲战乱国家厄利垂亚的一位名为卢斯（小凯文·哈里森 Kelvin Harrison 饰）的男孩，卢斯曾经被作为童兵而接受了非常残酷的军事训练，艾米和皮特坚信，良好的教育和包容的爱能够帮助他找回自己善良的本性。　　一晃眼十年过去，卢斯无惊无险的成长为了一位正直有为的少年，过去在他身上刻下的烙印已经很淡了。卢斯的非裔老师哈雷特（奥克塔维亚·斯宾瑟 Octavia Spencer 饰）非常欣赏这位学生，认为他能够改变人们对于非洲国家和人种的刻板想象。

简介：一位黑人演员即将登台表演，他迎向舞台中央享受热情如火的掌声，从这个马戏团开始，他有著身为命运小丑最灿烂及黯淡的光影聚焦。在巴黎最美好的年代，成为第一位登台表演的巧克力色人种，这是属于他的特异，可能也是不幸。命运偶然，当他遇见福提特成为表演搭档后便迅速窜红，引起群众热潮，在舞台的星 光灿烂之下──赌博、歧视、崛起与堕落，将串起他们特殊及迥异的传奇一生。

简介：Zhang a middle aged man struggling with a dead end job as an insurance sales person, on the verge of divorce with his wife, losing custody of her daughter and on top of all this he had to take care of his father who's suffering Alzheimer's. Unknowingly Zhang was invited to join an underground fighting game for financial purposes but eventually Zhang becomes hooked on the fights and turns professional.

简介：赫赫有名的好莱坞女明星琼克劳馥（费·唐纳薇 Faye Dunaway 饰）一直都想有一个自己的孩子，然而她的身体已经无法再怀孕了，于是，她和情人格雷格（史蒂夫·弗罗斯特 Steve Forrest 饰）领养了一个女婴取名为克里斯蒂娜（戴安娜·斯卡维德 Diana Scarwid 饰）。随着克里斯蒂娜的年岁增长，琼克劳馥在影坛之中的地位亦越来越低，当她因为影片不卖座而遭到了制片公司的开除之后，她将所有的怨气都发泄在了克里斯蒂娜的身上。　　琼克劳馥对于克里斯蒂娜的虐待日渐升级，她不仅常常对其暴力相向，还把她送进了修道院与世隔绝。克里斯蒂娜最终还是走上了和养母一样的道路——成为一名女演员。

简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.

简介：1944年10月，波兰奥斯威辛集中营，在焚化炉工作的波兰犹太人和匈牙利犹太人正密谋暴乱，捣毁焚尸炉，由绰号“海什”的波兰人（史蒂夫·布西密 Steve Buscemi 饰）负责联络。匈牙利犹太医生米卡洛斯（阿兰·柯德勒 Allan Corduner 饰）因在双胞胎繁殖学领域的突出成就被狱警慕斯菲尔德（哈威·凯特尔 Harvey Keitel 饰）特别优待，他不愿眼看匈牙利人霍夫曼（大卫·阿奎特 David Arquette 饰）用枕头捂死一位自杀失败的狱友，与其产生矛盾。附近女子监狱向焚化炉偷偷运送火药的行迹暴露，蒂娜（米拉·索维诺 Mira Sorvino 饰）和洛萨（娜塔莎·雷昂 Natasha Lyonn 饰）被折磨致死。就在霍夫曼心急如焚等待暴乱时机到来的时候，他在毒气室的尸堆里发现了一名奄奄一息的少女。要不要救人？会不会打乱暴乱计划？霍夫曼和狱友无所适从……　　本片获美国电影评议协会自由言论奖。

简介：罗尼（文斯·沃恩 Vince Vaughn 饰）和尼克（凯文·詹姆斯 Kevin James 饰）是一对关系十分要好的死党，从大学时代一路陪伴进入职场，他们似乎是世界上最熟悉彼此的存在。不仅如此，罗尼的女友贝丝（詹妮弗·康纳利 Jennifer Connelly 饰）和尼克的妻子吉妮瓦（薇诺娜·瑞德 Winona Ryder 饰）也是一对无话不谈的好朋友。　　故事要从罗尼在街上偶遇吉妮瓦的那一天说起，要命的是，那一天和吉妮瓦亲密的站在一起的却并非她的丈夫，亦是罗尼的好友尼克，而是另一个他并不认识的英俊男人。这件事情成为了罗尼的心结，在友情和道义面前，罗尼不知该如何选择。更让罗尼震惊的是，他逐渐发现尼克竟然也有着不能对他倾诉的秘密。

简介：Edith Hardy uses charity funds for Wall Street investments in hopes of buying some new gowns. She loses all the money and borrows from wealthy oriental Tori. When her husband gives her the amount she borrowed, Tori won't take it back, branding her shoulder with a Japanese sign of his ownership. She shoots him. Her husband takes the blame. In court Edith reveals all to an angry mob. Written by Ed Stephan {stephan@cc.wwu.edu}　　Richard Hardy, a hardworking stockbroker, labors overtime to keep up with the ruinous bills incurred by his beautiful but irresponsible wife Edith, a venal, spoiled socialite who is impervious to his pleas for fiscal restraint. Acting on what she believes to be an insider information, she impulsively embezzles $10,000 from the Red Cross charity she chairs for a stock tip. When she finds the money has been lost, she desperately turns to a Japanese ivory trader with whom she has been thoughtlessly flirting and persuades him to replace the money in exchange for an assignation. When her husband's long-awaited business deal finally materializes, she desperately tries to withdraw from their agreement by replacing the money. Angered and disappointed with her resistance to his advances, he uses a branding device to mark her shoulder as his property. Feeling violated, Edith shoots him in the shoulder and leaves. In order to protect his wife's reputation, Richard confesses to the crime and faces trial for attempted murder. Written by Gabe Taverney (duke1029@aol.com)

简介：讲述了一位华尔街银行家被分配到反洗钱机构“反洗钱”工作，并以某种方式揭露了一场导致俄罗斯暴徒绑架其家人的全球金融阴谋。　　美国演员Beau饰演马丁的角色，一位才华横溢的年轻人继续发现某种金融阴谋使用比特币，这将会改变世界地缘政治权力，使他的家人被绑架，这自然会导致导致涉及枪支和来自警察原型的无端暴力的场景。

简介：克拉拉（索妮亚·布拉加 Sonia Braga 饰）年近60，曾经是一名出色的乐评人。如今，克拉拉孤身一人居住在一座名为“水瓶座”的大楼里，这座风格非常独特的大楼建造于20世纪40年代，有着非常久远的历史。克拉拉非常喜欢这座毗邻着大海，拥有着美丽外观的大楼，将其视作自己的完美住所。　　某日，克拉拉得知一家大型地产商买下了整栋大楼，并且准备将它拆除，这也就意味着克拉拉要在期限之内卖掉自己的房子。面对强权，克拉拉当然不会轻易屈服，在所有的住户都搬走的情况下，克拉拉成为了水瓶座大楼里的“钉子户”，用自己的方式和贪婪的地产商开始了一场旷日持久的战斗。