同囚

简介：民国时期，中华大地，内忧外患，满目疮痍。列强在中国洗劫文物，革命义士柳云飞集结民间有能之士保护财宝不被掠夺，与各方势力周旋，展开一段冒险之旅。众人历经重重困难，终于找到深埋谷底的宝藏，不料，有人见财起意，触碰机关，山涧崩塌。危难之际，柳云飞牺牲自己，将同伴封无名等人从困境中救出。一行人这才意识到要拯救民族于危难，不只依靠价值连城的财宝，更重要的是中华儿女团结一心，众志成城，自强不息，觉醒抵抗。

简介：本片导演是一流的电视导演菲尔德·库克，他曾多次获得艾美奖提名并数次获奖。剧中的卡罗尔外表是一副五十年代在美国大行其道的贤妻良母形象，然而她却是个女性意识开始苏醒的独立女性，而由美国六、七十年代著名的喜剧明星迪恩·马丁扮演的多管闲事的戴维则代表了当时美国社会的保守派人士。尽管影片结尾，危机神奇般地解除多少消除了它的讽刺力度，但放到如今 ，这部影片仍并不失为一部上佳的男女性别对立喜剧作品。　　故事梗概　　单身贵族戴维认为自己的好友哈里不该抛开自己的妻子另找情妇，于是试图向哈里证明做情妇的女人们都是一样水性杨花。在他试图以勾引哈里情妇在挽救好友的婚姻时，却弄错了对象，供养起无辜的卡罗尔。而卡罗尔一心以为戴维会是优秀的丈夫人选。一时间，戴维陷入了困境。

简介：本片是两傻电影的最后一部，由查尔斯·拉蒙特执导，高脚七、矮冬瓜和玛丽·温莎合演。故事描述两傻从一个女歹徒身上找到一个失传的奖牌，从而找到一个价值连城的古墓，以及一个仍然活着的木乃伊。二人在片中已呈老态，但仍表演了一些典型的惹笑伎俩，而且影片也略有恐怖气氛。

简介：影片讲述了五个相互交织的故事。六个角色出现在阿姆斯特丹，他们有的是出于自愿，有的则是纯属偶然地搬到了这里。除了都远离自己的出身地之外，他们看似没有任何共同之处。尽管如此，在最黑暗的时刻,他们给彼此的生活带来了深刻的影响。如果你不喜欢科长的《天注定》，你也不会喜欢这部荷兰的申奥片。Paradise Suite这个词是指宾馆房间里的性交易受害者被逼着满足客户的需求。这是吉雅那条线的故事，也是这部电影最重要的一条故事线。也喻指这些移民眼里的“欧洲梦”，只是套房里的事情，并不像名字听上去这么美好。

简介：The film which is based on the life on an Indian scientist Shivkar Bapuji Talpade, who is credited to have constructed India's first unmanned plane is the tale of the hardships that he went through on the journey to discover. Also the film is set in the pre-independence era of Bombay of 1895.

简介：玛利亚，皮努琪亚，莉娅，卡蒂亚和安东内拉姐妹五人住在巴勒莫的公寓里，她们靠出租礼鸽谋生。在一次平常的海边出游中，姐妹中的一位意外离开，这彻底改变了她们余生的关系。影片分为三章——童年、中年和老年，灿烂的阳光、散落的鸽子毛、破败的老宅分别是这三个篇章的写照。在技巧高超的视觉和空间设计下，看似私人化的影像携永恒的时间与不会消逝的记忆，不留缝隙地缓缓涌入，并在最后喷薄而出，极具爆发力。

简介：Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

简介：影片讲述了居住在索非亚郊区的普通一家三口的故事。托多尔是一个天体物理学家，同时也是一位单身父亲。他对土星环的观测研究深深着迷，因此疏忽了对两个孩子的关怀。大女儿米拉有着不同寻常的钢琴天赋，但她对自己的不自信感到焦虑。调皮的小儿子尼基总试图用恶作剧和荒唐的把戏来分散米拉的注意力，这让米拉备受干扰。米拉即将前往德国参加一场重要的钢琴试演会，这个夏天是她临行前一家人共度的最后时光。点点滴滴中，父亲和儿女们努力寻找着家庭的含义。

简介：本片改编自美国作家库柏“皮袜子”系列小说中的第二部。　　1757年七年战争期间，英法两军在北美殖民地激战正酣。军官邓肯带队护送长官之女可娜（Madeleine Stowe 饰）前往威廉亨利堡，半路遭法属印第安人埋伏，莫希干族最后的战士——金卡加（Russell Means 饰）、安卡斯父子与白人霍克依（Daniel Day-Lewis 饰）出手相救。但抵达要塞时他们发现这里已陷入战火，要塞长官门罗与邓肯做事强硬，不肯放走民兵自降战力，并将霍克依监禁，可娜这时已同霍克依相恋，但却无力援救。英军战事不利弃堡投降，印第安人马瓜带领族人向英军寻仇，可娜与霍克依失散后被马瓜带走，霍克依、金卡加、安卡斯一行进入马瓜族人的营地，以期带回可娜。

简介：湯姆聊起婚後親密行為的真相、他養的怪怪巴哥犬，還有生活中多數的不便利都該由男人揹鍋。

简介：ddd本片是Kidulthood的续篇,Sam于杀害Trife六年后刑满释放.但他逐渐意识到监狱外的生活并不比里面轻松,并且他需要面对过去被他伤害过的人...过去的朋友有些人继续着全新的生活,而另一些却为他的所做所为而耿耿于怀,但无疑的是,所有人都不可选择的长大了.Sam在他的内疚中挣扎,同时还要面对哪些想要为Trife复仇的人,新一代的帮派在伦敦街头逐渐涌现,而Sam则在努力想告诉大家停止暴力,就像多年前Trife想努力告诉他一样...rKidulthood的续作,性,暴力,毒品,Rap与21世纪初期的伦敦街头,,,

简介：和大部分这个时代的年轻人一样，经济上的不宽裕令山姆（克里斯·派恩 Chris Pine 饰）感到无处施展拳脚，就在一筹莫展之际，鲜少联系的父亲的过世给了他新的希望。原来，山姆的父亲是一位著名的唱片制作人，他的死意味着山姆即将得到他数量庞大的遗产。可是，令山姆无法理解的是，根据父亲的遗嘱，他必须分15万美金给他未曾谋面的姐姐弗兰基（伊丽莎白·班克斯 Elizabeth Banks 饰）。　　为了得到全部的遗产，山姆决定以假身份偷偷接近弗兰基以搜集不利于她的证据。没想到，在相处的过程中，弗兰基的善良和正直渐渐的感动了山姆，在弗兰基的身上，山姆找到了久违的亲人般的温暖。