917
1.0

婚礼之后

导演:
未录入
主演:
麦斯·米科尔森,罗夫·拉斯加德,西瑟·巴比特·科努德森,莫娜·马姆,亨里克·拉尔森,尤莉·奥尔嘉,克里斯蒂安·塔夫德鲁普,尼尔·伦奥霍特,AnneFlettingAnneFletting,斯坦因·费舍尔·克里斯滕森,伊达·德文格,乔纳唐·斯潘格,克劳斯·弗莱格,ErniArnesonErniArneson,Marie-LouiseConinckMarie-LouiseConinck,RitaAngelaRitaAngela,ThomasVoss,TroelsIIMunkTroelsIIMunk,亨宁·詹森
别名:
未知
1.0
917人评分
国语
语言
2026
年份
2006年02月24日上映
备注
简介:
善良的雅各•彼得森(麦德斯•米科尔森饰)在印度开了一间孤儿院,致力救济无家可归的孤儿。当他的孤儿院正面临倒闭危机的时候却收到了一笔来自一名叫乔真(罗夫•拉斯加德饰)的丹麦商人的慷慨捐款。但这名商人却附带了一个条件,他要求雅各离开印度,前往去参加他女儿的婚礼。为了得到捐款,雅各独自前往了丹麦。因为答应了孤儿院里某个孩子要为他办生日会,所以雅各也订好了回印度的行程。后来他找到了乔真,雅各发现他是个傲慢的人,而且乔真因为酗酒留下了后遗症他应邀出席了婚礼,婚礼上他遇到了乔真的妻子海伦(西德斯•巴比特•科努德森饰),即使多年没见,他们两还是认出了彼此……
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2430
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荣耀六十年1938
812
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5.0
更新时间:05月19日
主演:AnnaNeagle,AntonWalbrook,C.AubreySmith,WalterRilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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