碧海丹心

　　一群世界顶尖杀手，曼谷女杀手，退伍军人，爆破专家，巫毒刺客等等；因为不明原因，被聚拢并囚禁在一间高科技刑房，它有个令人生畏的名字---屠宰房。

　　TVB的一部电视电影
　　是《特警90》系列 的 第二部
　　第三部是《特警90 III 之明日天涯》
　　第一部是《特警90》
　　都是杜琪峰的御用无线女艺员梁艺龄（98年以前艺名为梁佩玲）主演
　　女警、殺手異地結情緣；
　　重遇卻讓他們陷入深淵！！
　　女警杜伊玲（梁藝齡)往日本查案期間，認識當地的黑幫殺手元滕博(鄭浩南)，玲不知博之身份，二人也給對方留下深刻印象。後來，博受首領向山鐵也(方剛)任命往香港追殺叛徒倉田(高雄)。博、玲重聚，感情跨進一大步，但博為了殺田，時常行蹤飄忽，令玲無所適從。
　　博與田展開連場追殺，勢均力敵，二人惺惺相惜。當博知道田因厭倦多年來的仇殺生涯，欲退出江湖，才脫離黑幫，基於同情之心放走田。
　　幫辦洛珊(麥翠嫻)奉命調查博、田在港之活動，玲得知博的身份，傷心不己，欲勸他自首；時也亦派人追殺博、田，博兩面受敵，徘徊在生死邊緣……

　　故事围绕着著名管弦乐队指挥蒂博展开。当他被诊断出患有白血病时，他开始寻找骨髓移植的合适捐赠者。随后他发现自己是被领养的，并且在北方有一个哥哥。哥哥是一名办公室职员，但也在当地一支即将解散的铜管乐队中演奏长号。在该地区唯一一家工厂即将关闭的背景下，他们的相遇标志着一段兄弟情、社会和音乐之旅的开始……

　　一家小公司的职员们发现自己被困在办公室里永无尽头的一周循环之内，为了让关键人物部长意识到这一事实并打破循环，他们要使出浑身解数。

　　故事讲述别尔科公司的职员们原本平静的一天被广播里的神秘声音划破，他们被告知公司范围内将强制展开大型逃杀活动，一群平日西装革履的伪善者会不会在死亡面前创造人性丑陋新高度？

　　真实的战争是残酷的，躯体消亡，灵魂散落，心灵的战争虽未如此血腥，但仍可让人刻苦铭心，感触良多。饱受生命最后时刻三重煎熬的赵顺心（朱瑞祥 饰），在仅存的时光落幕前一口鲜血染在了白色的髯口，诠释父爱如山的伟岸，唤醒人性的回归，破除对传承的偏见，用生命抒写了中国人的传承精神和中国“孝”。

　　故事围绕一名前UFC拳手道尔顿(杰克·吉伦哈尔 饰)展开，他在佛罗里达礁岛群一家满是牛鬼蛇神的酒吧担任保镖工作，但他很快发现，一切并非都像这个热带天堂一样美好。

　　狡猾的骗子泰迪·穆雷托（弗兰克·格里罗饰）驾驶着满是子弹的皇冠维克在内华达沙漠中呼啸驰骋。为了躲避杀手鲍勃·维迪克（杰拉德·巴特勒饰），他制定了一个计划：袭击初出茅庐的警察瓦莱丽·杨（亚历克西斯·劳德饰) ，令其将自己逮捕并关押在小镇警察局。但显然，监狱不能长久保护穆雷托。维迪克同样通过计谋进入拘留所，寻找完成刺杀任务。
　　但此时，一个刺客（托比·哈斯饰）的到来，引发了警察局的全面的混乱...

　　在一座仿佛与世隔绝的女子艺术学校内，女孩们无忧无虑享受着斑斓的青春。绘画教室中，有如君王的美术老师（金子统昭 饰）站在最顶端，而少女们则充满敌意地死盯着被称为天才的女孩蓝（清野菜名 饰）。蓝讨厌周遭的一切，她经常躲到一间教室内打造着怪模怪样的机器。她的身心漫步伤痕，却依旧被无良的学校当作宣传广告。少女的欺凌充满恶意而没有底线，充满不祥预兆的地震则一次次突然降临。
　　不知不觉中，仿佛有什么可怕的事件即将发生，蓝则身处恐怖漩涡的最中央……

　　Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
　　"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

　　1864 After a huge battle and the brutal shelling of the population of Atlanta, Federal troops ("Yanks") take control of the city. Their plan is to use all of the goods remaining in the warehouse district of Atlanta to outfit their army for the upcoming March to the Sea, which they hope will end the War Between the States. Confederate spies move into the warehouse district, disguised as Yanks, to take stock of what is still there that might be of use to the army of the north. They find a lot. The word comes down from Confederate command to burn the entire district, destroying vast quantities of goods and uprooting hundreds of families that have been in the area for decades. "The Burning of Atlanta" is the story of the destruction of a major city near the end of the war, and the desperation and terror this causes in the lives of those who watch their entire society collapse around them.