猎人

　　两对夫妇在同一时间意外预订了同一处度假租赁房产的故事。他们浪漫的周末很快就变成了性、谎言和生存的扭曲迷宫。

　　缇娜（安娜·哈金森 Anna Hutchison 饰）带着十二岁的女儿贝斯（特丽莎·贝特曼 Talitha Bateman 饰）于午夜走在回家的路上，遇见了一群小混混，小混混们强暴了缇娜，贝斯作为目击证人将施暴者们的面容牢牢记在了心底。在法庭上，贝斯当庭指认了凶手，然而，被告方找来了一位毫无道德底线并且巧舌如簧的律师，他们联手栽赃缇娜，颠倒是非黑白，而法官也只想息事宁人。
　　约翰（尼古拉斯·凯奇 Nicolas Cage 饰）是一名从业多年的老警官，虽然表面风光，但实际上他正在遭遇人生的中年危机。缇娜的案件激发起了约翰内心里熄灭已久的正义感，他决定挺身而出帮助这对可怜的母女。

　　A scientist discovers the bodies of three frozen genetically modified Russians buried in the Canadian North. Upon thawing them out he realizes he has unleashed a deadly threat to Western society and must stop them at all costs.

　　在一个被猛增的财富掩盖了其经济危机的未来城市中，格温和她的女儿朱尔竭尽所能地坚持着自己的爱好，尽管她们的世界越来越不稳定

　　影片《鸡皮疙瘩》是根据R.L.斯坦的同名畅销丛书《鸡皮疙瘩》改编而来的。《鸡皮疙瘩》丛书是90后群体的一大童年记忆，故事中充斥黑暗恐怖的元素，同时超级反转的结局也让人印象深刻。电影不仅截取了书中的故事，更将作者R.L.斯坦融入情节之中。杰克·布莱克就将扮演丛书的作者斯坦。影片的故事讲述了迪兰·米内特饰演的邻居家男孩在一次偶然中，将斯坦书里奇幻而恐怖的生物带到了真实世界。为了避免这些数量巨大的恐怖怪物毁灭宁静的小镇，斯坦必须联合他的邻居和女儿进行殊死抵抗······

　　《比佛利拜金狗2》虽然不像首集一般安排上戏院放映，但製作规格各方面也都比照当初的电影，同样是运用电脑科技让狗狗们开口说话演戏。本片的故事内容则是接续原本的第一集最后，叙述终成眷属的吉娃娃伴侣 Papi 和 Chloe 如今共组家庭，但是他们的冒险可没有因此结束喔！没多久五隻小狗狗们 就报到了，Papi 和 Chloe 成天开始忙著应付这些小鬼头，防止他们闯祸，给人类主人以及邻居带来不必要的麻烦。而且他们的挑战还不仅於此，这次虽然没有翻山越岭，但即使在比佛利本地也会面临许多冒险，面对一隻娇娇狗的挑衅，吉娃娃们还必须登上狗狗名模伸展台，让比佛利狗狗时尚界大开眼界！

　　会计师卡尔文（凯文·哈特 Kevin Hart 饰）在高中时代曾是学校的体育明星，他热心张罗高中同学聚会，于是在Facebook上联系到了老同学鲍勃（道恩·强森 Dwayne Johnson 饰），他没想到这个在高中时常受欺负的老同学现在已经是CIA的职业杀手，而他也万万没想到自己将被卷入制止军事秘密泄露的任务中。

　　1，恐怖常伴你左右（演出：柄本時生）
　　2，内心和外表的差异所引起的悲剧（演出：於保佐代子）
　　3，过火的爱情记录（演出：津田健次郎）
　　4，好奇心超越猜疑心的结果（演出：松尾谕）
　　5，总会用尽的求爱方式（演出：木南晴夏）
　　6，每个人都具备的恐怖的人类本性（演出：佐津川爱美）

　　民国年间，上海滩闸北区保德路发生一桩命案，死者后来经过确认，竟然是马源商会老板马广则。
　　多年来，马源商会在闸北一直都颇具影响力，马广则更是最被看好的商界风云人物，他的死打破了闸北区原本的宁静。

　　G.J. Echternkamp tells the story of his relationship with his parents, his mother Cindy (Russo) and his step-father, Frank (Platt). Frank used to be a member of OXO, a band from the '80s whose one hit wonder scored with the song "Whirly Girl". Cindy was the ultimate groupie who married Frank and thought life would be glamorous and award shows, but it's not how it turned out.

　　十年前的一次超自然发光事件导致张鹏（小沈阳 饰）的好友神秘失踪，十年后，张鹏跟随摄制组重返事发地寻找真相。当他们再次来到“发光禁地”时却频繁遭遇离奇恐怖的事件，认知逐渐错乱、躯体不断恶化、理性逐步崩坏，禁忌的骇人真相，将不可逆地摧毁一切……光源不再象征安全，请远离所有发光体！

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.