六个情人的游戏

简介：19世纪，描写美与丑的文学作品风靡一时。“美”之古怪亮丽，有供人欢愉的脱衣舞会所，有病势严重的私生子，有麻木不仁的上层人士，有父亲之命的婚姻，还有未遂企图的凌辱糟蹋，以及其他。“美”之感情丰富，既有美丽者如真爱，也有残酷者如恐惧与恨。被身处社会上层的爱人无情抛弃之后，可 怜的女人为了支付儿子的医药费，无奈旋舞于众人之前，卖弄色相。受迫于父亲之命，心早有所属的姑娘不得不面对即将于一位年逾古稀者结为夫妻的残酷现实。　　摄于1921年，法国马塞尔·莱皮埃导演，片头字幕中特别注明：这是一出“闹剧”，表达了莱皮埃对汤玛斯·英斯那种平凡的轶事式的题材的轻视，他以标新立异的形式讲述了西班牙舞女西比拉的悲剧命运。莱皮埃从法国的印象派画家和美国的格里菲斯以及瑞典的斯约斯特约姆的艺术成果中吸取营养，把特技作为重要的电影表现手段。影片中精练而完美的摄影技巧，使西班牙的户外风景和室内布景协调一致，并对剧情发展到起重要作用。影片还探讨了艺术技巧抒发激情的方法。

简介：一群小伙伴到山里去玩耍只有女孩被救出，而几天之后失踪的少年突然变成成人的样子回来……

简介：一部讲述女性努力对抗病魔的温馨感人故事电影。该片没有震撼的场面、没有浮夸的表演，却能够带给人们无限的感动，以及对生命的思考。　　该片主演萨曼莎·莫顿在《河道女王》、《小数派报告》中都有着十分不错的表现，而其他主演亚伦·保尔、爱丽丝·伊芙、玛姬·格蕾斯都是十分有名的影星，比如爱丽丝·伊芙就在《自动取款机》、《汽车旅馆疯劫案》中担任了女主角。　　故事源自真实的生活，对于人类来说，病痛永远都是我们最强大的敌人，而那些面对着绝症的人也是这世界上最勇敢的人，安妮·帕克就是如此。本片就讲述了身患癌症的安妮，不仅没有放弃生命，还积极配合着遗传学家博士玛丽·克莱尔进行着对抗乳腺癌和卵巢癌这两个女性最大病痛的实验，对生命的渴望能否让安妮战胜病魔呢？准备好你的眼泪，让我们一起进入最真实的感动中去吧！

简介：深山里某个小镇上，人们过着安静平淡知足的日子。对于自己的家乡，高中女生Machi（夏莲）虽然再熟悉不过，却总觉得仍有许多未知之谜等着她去发掘。某天，Machi和两个女友憧憬未来，玩起故事接龙游戏，在她们天马行空地幻想未来时，镇里的大人们开始回想有关过去被埋葬的树木的故事。　　暴风雨将小镇“袭击”，大人们记忆中被埋葬的巨大树木暴露出来，“梦幻森林”的入口被打开，Machi和女友编写的未来同过去有了联系，一切变得似真又似幻，如梦又如烟。

简介：Two genius brothers grow up and grow apart as one becomes a successful surgeon and the other pursues a drug-fueled high life.

简介：刑警张玉贵和妻子离婚多年，他们都深爱着女儿张雅芝。女刑警付明明是张玉贵现在的女友，她为张玉贵的善良正直和男人气概所吸引。在张雅芝过生日那天，张玉贵的好友王建中来到北京托张玉贵帮个忙，王建中做刑警的时候曾救过他的命。不久，某居民小区发生凶杀案，死者状况与后来发生在“东方娱乐城”内的案件非常相似，经调查所取得的线索竟然都与王建中有关，案情还涉及到张玉贵的前妻。最让张玉贵头痛的是，案件背后所隐藏的还有市里主管刑事案件的李德旺副局长以及一批有名有姓的领导干部……张玉贵、付明明、杜鹏等刑警顶着巨大的压力，一查到底，最终将犯罪分子绳之以法。

简介：一次偶然中，玛丽（波琳·艾克阿特 Pauline Acquart 饰）遇见了花样游泳队的队长弗洛利亚那（阿黛拉·哈内尔 Adele Haenel 饰），弗洛利亚那的性感和美丽很快就吸引了玛丽的目光，然而，在传闻中，弗洛利亚那却并不如表面看来的那么纯洁和美好。随着时间的推移，玛丽渐渐发现传闻的虚假，与此同时，她深深地迷恋上了弗洛利亚那，已经到了无法自拔的境地。　　安妮（露易丝·巴彻雷 Louise Blachère 饰）是玛丽的好友，在玛丽为弗洛利亚那痴狂的那段日子里，她却偷偷喜欢上了弗洛利亚那的男友弗朗西斯（沃伦·杰坤 Warren Jacquin 饰）。可是，安妮知道自己长得并不漂亮，于是决定将这份感情埋藏在心底。

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：琼·豪厄尔（Sandra Dee）是一个梦想进入娱乐圈的女佣，她平时负责给上班族汤姆·米尔福德（Bobby Darin）收拾公寓，由于两人从未见过面，加上琼和汤姆通话时故意装日本腔，导致汤姆一直以为自己的女佣是个日本老太太。汤姆的老板兼朋友哈维（Donald O'Connor）派他去加州出差，汤姆做好了出差准备，并给女佣留下信条说自己要出差十天，不料到了公司后哈维告诉他出差取消了。晚上汤姆回家时，乘坐的出租车与琼的出租车撞在了一起，意外相识的两人决定进酒吧聊天，汤姆送琼回家时，琼因为不想让汤姆看到自己居住的贫穷公寓，于是假装汤姆的公寓是自己的公寓，困惑不已的汤姆因为仍然想和琼见面，所以并未当面拆穿，而是到了自己朋友哈维家去住，然而更大的乱子还在后边等着他。

简介：原偶像组合在结束最后的公演后，成员沙奈就被不明人士带到了陌生的孤岛，孤岛上还有其他被绑架来的偶像。慌乱之中，一位名叫TAKIMOTO的男人突然出现，宣布游戏开始。这个游戏是淘汰制的卡牌游戏，最终获得胜利的人将成为超级偶像。继承了死去的姐姐的遗愿和自己想要成为偶像的梦想的沙奈加入了游戏，但她没有想到这个游戏中，等待输家的，居然是死亡......

简介：Meis，15岁，生活在一个边远的地方，渴望轰轰烈烈的生活，但他生命中所有发生的不过是在时光流逝中，等待着下一辆车闯进家里。她幻想着她会想要去照顾那个名叫Brad的年轻司机，也许还会跟他做爱的。父亲也在等待下一个司机重新带来一些英雄气息。母亲也在等待同样的时刻，那样他们就能永远地离开这个城市。自从父亲首先冲进屋里，祖母便无法控制地颤栗，而且似乎最近更严重了，Meis期盼这是某种事情将要发生的预兆。全家人都在这个被一分为二的房间里面等待着，因为自上一次冲突后，祖父已表明3.3米的安全线已经不适合居住。祖父从残桥上摔落溺水而亡之后，他们都在等待下一个司机闯入屋。在一个梅斯不顾禁令闯入危险残桥的夜里，救赎终于降临了。一辆货车从房前扬起的尘雾中钻出来，在这车里，解锁之匙将谎言都实化，展开。当然如果这个19岁的少年，他的名字叫Brad，那就就更好了。

简介：美国一个小镇宾州，大部分镇民是在一家汽车零件装配工厂上班，整个镇的繁荣富裕维系于此。然而经济不景气，使得该工厂就要关门大吉。史帝文生是这家工厂的员工，为了自己、为了全镇，他跳出来去游说一家日本的汽车公司，买下工厂，好保留大家的饭碗。　　俗语说：「杀头生意有人做，赔本生意可是没人干。」日本人接掌美国工厂，当然希望赚得足够的利润。而关键不仅在于日本人的先进技术移入，也在于美国员工全力以赴，使生产线更有效率。　　当日本的管理阶层，遇上美国的劳工阶层会是怎样的文化冲突局面？