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　　法国人 Marie DuJardin 被同胞称为叛徒，为了活命，她 不得不带美军士兵们前往纳粹、法国抵抗运动和美国人都在追查的黄金储藏室

　　为了完成女儿李妍（谭松韵 饰）高三前的小小心愿，父亲李博宇（吴京 饰）决心带着女儿远赴阿勒泰滑雪。却不料李博宇遭遇意外，全力抢救后仍陷入脑死亡的处境，让为妻为母的潘雁秋（闫妮 饰）做出了一个女人最艰难的决定。当家渐渐失温，一只名为可乐的小狗带着倔强闯入了她们的生活，成为母女争执的焦点，也成为苦乐烟火的陪伴。如何在伤痛后放下悔与执？如何在成长中习得爱与勇？当往日的困境重现，她们的人生，又是否有无憾的选择？

　　科学家创造了两栖超级士兵并引爆了一枚核弹。在余波中，一个怪物来到了日本，使日本毫无防备。人类唯一的希望是一个心中充满死亡的水妖。

　　因儿时与母亲失散，少年比利（亚瑟·安其 Asher Angel 饰）辗转多个家庭，却执着地要回到妈妈身边。当他再度栖身一个由养子养女的大家庭时，却阴差阳错来到某个未知的领域，并且成为古老巫师的继承人。当他喊出“沙赞”时，便会瞬间变成拥有强壮成年人身体的超级英雄雷霆沙赞（扎克瑞·莱维 Zachary Levi 饰）。比利兴奋不已，和新家的兄弟——患有腿部残疾的弗雷迪（杰克·迪伦·格雷泽 Jack Dylan Grazer 饰）共同分享这份快乐，两人更将展现各种超能力的视频上传网络，流布四方。结果，心怀叵测的赛迪斯·希瓦纳博士（马克·斯特朗 Mark Strong 饰）找上门来。
　　希瓦纳童年时曾与沙赞身份失之交臂，一直不受父亲兄长待见的他将灵魂出卖给七宗罪魔鬼，他更企图摧毁那个让他求之不得又恨之入骨的雷霆沙赞……

　　由于被陷害参与暗杀，失落的忍者家族必须以自己的方式对抗地下核掩体中的超自然强敌——变异者和食人僵尸。　　被围困在地下千尺，忍者们将直面地狱...

　　曾经的“未来之城”林肯城，4%人口具有超能力，其中大多数却在自动化潮流中陷入贫困与歧视的泥沼，日渐成为社会负担甚至隐患，康纳·里德（罗比·艾梅尔 饰）便是这样一名青年临时工——面对母亲的天价医疗费，债台高筑的他不得不铤而走险，直面铁面无情的机械军警卫士。
　　影片由杰夫·陈（Jeff Chan）创作执导、克里斯·帕雷（Chris Paré）撰写剧本，改编自两人2016年同名科幻短片，并与主演艾梅尔兄弟等人执行制片。

　　影片记述了老一辈戏曲艺术家还沉浸在要把世界经典戏曲《牡丹亭》的传承进行到底的时候，年轻人却在外来文化的冲击下，改变了自己的追求，两种文化必然会发生激烈的碰撞。...

　　比利·赞恩饰演的奎因是个拥有金钱、权力和美人的黑帮老大，一夜之间遭遇父亲被杀，朋友背叛还被陷害锒铛入狱，出狱后原打算避世度日却依旧被仇人追杀，于是决定反击复仇。

　　白添身怀造物绝技，以铁匠身份隐藏于山野，因姐姐白羽欠下巨额赌债，被赏金客尉迟仞胁迫，接下进入涅槃院寻宝的任务，一路危机重重，白添发现这一切与他的身世有关，最终，三人被卷入阴谋之中，为阻止灾难的发生，拼尽全力殊死一战。

　　皇品影业出品，根据漫画家深流的真实故事改编而成。讲述青年漫画家深流因为家庭原因，经历7年居无定所的流浪生活，衣不果腹却坚持画漫画，在唯一好友的鼓励与帮助下，背井离乡执着追梦，却在事业即将有所成就时猝然离世。

　　马辉（崔林）和于岩（迟佳）是同为17岁的北京少年，两人的最大梦想是成为警察，不想结伴报考警校时，双双落榜，两人迎来炎热郁闷的暑期生活。
　　某一日，两人的邻居、小区联防好市民孙叔（傅彪）对两人秘密广播“内部消息”，“抓到l00个小偷会被警校特招”，两人内心重燃希望之火，一边准备抓小偷的工具，一边四处打探“消息”的真实性，虽没从片儿警石亮叔叔（佟大为）口中探出什么，两人仍制定了详细宏大的计划。在两人抓贼的过程中，遭遇了诸多尴尬和误会，更为真实也更为琐碎的生活朝两人展现。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.