救命卡特

简介：上古神石诞灵猴石灵儿，由石矶娘娘抚育。其体内太初神石为天庭所忌惮，太白金星设下阴谋，布下天罗地网。石矶遭算计陨落，石灵儿集结妖族，以混沌之力冲破天道桎梏，反抗强权，逆势反抗，挣脱宿命束缚，挣脱既定命运。

简介：错...付

简介：重返奇妙世界，探索浩瀚宇宙，更多惊喜角色登场，开拓更宏大酷炫的版图，呈现更精彩纷呈的冒险。

简介：The film follows Jack, a high-level defense contractor whose world is upended when his daughter is kidnapped and held for ransom, forcing him into a relentless fight to bring her home.

简介：本片改编自第28届松本清张赏受赏作品。要告别这个可恶的乡下，就得花钱！总之要钱！那就在学校屋顶上种大麻吧！背景是位于北关东胡同的乡下高中。为了各自的目的，三个女高中生和一个宅男开始在学校的屋顶上培育偶然得到的大麻种子。它的名字就是大麻栽培联谊会＜ALL・GREENS＞。把对平凡日常的不满和苦闷藏在心中，用大麻做梦想的三人和一人，未来会怎样！？

简介：《破浪救援》的灵感源自“青年援救”的真实故事，讲述了一群年轻人不愿袖手旁观，眼睁睁看着无数难民在前往欧洲的途中葬身地中海。尽管毫无海上救援经验，他们仍发起众筹计划，购入一艘旧渔船，并最终成功救起23,000 多人。然而，这场始于希望与信念的共同使命，很快便让他们对法律与正义的理解面临严峻考验。

简介：

 派出所民警们在抓捕两个偷牛贼时追到了村民孙茂林的萝卜地里,在经过了激烈的搏斗后,盗贼被擒,派出所刘所长被刺伤,半亩萝卜也全被踩坏了。孙茂林就像秋菊一样要找刘所长要个说法,而民警和村民们都认为孙茂林多此一举,因为派出所是为抓贼才踩坏萝卜的,应该不用赔偿。孙茂林于是找到法官老张,想通过老张从中调解。老张在做了大量工作后,刘所长仍然认为派出所没有错,而且还敲锣打鼓的去给孙茂林送赔偿金,在全村人面前戏弄了孙茂林。孙茂林只得将派出所和公安局告上法庭,几经周折,在法官老张的努力下,公安局长接受了法庭的判决,当庭向孙茂林道歉并赔偿,刘所长也认识到了自己的错误。

简介：

 1930年代初，上海。我党派5号机要员及助手冯自强（林强 饰）送密件去苏区，敌别动队长王文轩（王宝华 饰）获此情报，侦辑处长潘国梁（马群 饰）也派人辑拿5号机要员。冯自强通过戒备森严的临海码头，与女交通员陈兰（牛娜 饰）接上头，后陈兰为掩护冯自强牺牲。冯自强孤军作战，分别与殷飞（郝一平 饰）、朱秋（狄剑青 饰）接上头，约定在镇海塔见面。潘国梁接到情报，指示王文轩将共党一网打尽，冯自强来到海神庙，发现前来会面的是卖烟女（石荣 饰），殷飞开枪打死了她，王文轩带别动队包围了汽车。孙副官（郭勇 饰）认定殷飞就是“铁马”。信以为真的王文轩刚要上车，突然响起的哨声使他感到自己上当了......

简介：

简介：伊娃在保加利亚乡村的一家服装厂工作，一直受一种顽固却原因不明的疾病困扰。当她被确诊为小镇首例新冠病例后，各种指责声如潮水般涌来——先是急于推卸责任的工厂老板，接着是她的同事、儿子，最终整个社区都将矛头指向了她，尽管伊娃已经多年没有离开过这座小镇。 　　随着病毒出现首批受害者，对伊娃的公开妖魔化愈演愈烈，她很快成了被社会排斥的弃儿。 　　这部影片的结构接近社会悬疑剧，聚焦新冠疫情中不为人知的层面。曾入围戛纳电影节、荣获卡罗维发利国际电影节水晶地球仪奖的导演斯蒂芬·科曼达雷夫，此次携新作回归，影片对激进资本主义进行了反思——这又是一幅扣人心弦、贴合时代且充满力量的被剥削者群像，整部作品均在欧盟境内制作完成。

简介：Dasha and Sasha are a happy newlywed. A honeymoon and a parachute jump over the foothills of Mount Elbrus are supposed to be the beginning of their new life. But fate intervenes. The pilot turns out to be Artyom-Dasha's ex, a man she didn't even want to remember. When the plane crashes, the three are forced to jump without training. The lines get tangled. They miraculously surv...

简介：The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia. Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage. The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.