月光里的男孩

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：在一家巴西诊所里，做医生的爸爸约钦（杰拉尔·德帕迪约饰）发现自己的女儿莎拉（艾洛迪·布歇饰）染上了一种极度痛苦的病eee。爸爸想找出原因，但没有任何线索。他决定追踪整个事情的原因，竟然发现女儿被秘密遣送回了法国。更可怕的是，如果约钦知道了事情的真相，那将会完全地破坏他现有的生活。

简介：Charles是一个成功的CEO，有一个漂亮的妻子和14岁的女儿。同时他和自己年轻貌美的女秘书还有婚外情。他的妻子Emily早就知情，却不愿意因此与Charles产生冲突。当Charles想与女秘书结束关系的时候，却遭到女秘书的起诉。当他的生活天翻地覆时，他才发现并不如 自己所想的自己才是掌控者…

简介：本片改编自比利时的连环漫画册，连环漫画册的灵感来源于同名游戏XIII。　　在老兵纪念日上发表讲话的美国历史上首位女总统遇刺身亡后的三个月后，一个浑身是伤、衣衫褴褛的男人（斯蒂芬·多尔夫 Stephen Dorff 饰）出现在某森林里。他没有名字，没有记忆，没有过去，面目全非，似乎从不曾来到过这个世界。唯一的线索，就是身上的纹身“XIII”。XIII得到神秘组织的帮助从监狱里死里逃生，遇到似曾相识的恋人，被神秘组织强迫做交易的同时，被另一伙人追杀。而他们的目的，就是藏在XIII手表里的记忆芯片，一切都扑朔迷离。XIII发现自己被卷入一个惊天阴谋，自己也并非真正的XIII，真正的XIII早在刺杀总统后就被灭口，自己是由时任国家安全局副局长的将军指派的卧底，意在引诱幕后主某的出现......

简介：1937年11月间，日军占领上海后，又攻占杭州、苏州，国家的对外运输线几近封锁。仅存的国际运输通道滇越铁路有随时被日寇炸毁断路的危险。修建一条新的国际运输通道“滇缅公路”成了国家战争物资运输保障的重中之重。　　随校迁往大后方昆明的学子王俊荣参加国民政府临时组建的筑路队。经 过简单培训，被派往“滇缅公路”怒江两岸雷公山和地母山动员当地百姓修路。　　怒江两岸的雷公山和地母山是当地原住民族世世代代赖以生存之地，被他们视为神山。山上有供奉山神的神庙、有宗族祠堂、有世代祖先的坟冢，人们无法接受在“神山”上开凿、爆破，修筑一条与自己无关的路。于是，整寨的寨民开始策划、捉弄筑路员王俊荣，希望他早日离开，将路修在别处。　　正当寨民们采取种种手段迫使王俊荣离开他们心目中的“神山”，而王俊荣又异常固执地非要在此筑路的僵持时刻，县民政科送来了阵亡通知书和抚恤金，雷公山寨和地母山寨参加滇军的所有壮丁在台儿庄与日军作战中全部战死。顿时，寨子里户户奔葬，泣声动天地。　　面对亲人为国捐躯，两个山寨头人李大和杨八代决心筑路，并抛弃以往的恩怨，带领寨民们联手修筑一条支撑正义之战的运输大动脉。于是在雷公山和地母山上演了一曲人们用原始工具、尽倾财物、经历饥饿、虐疾、献出鲜血和生命开山辟地、修筑公路的悲歌。　　在筑路的过程中，年青英俊的王俊荣明白了：最终的路是与心相连接。在“路与心”相连的过程中，王俊荣和雷公山寨李头人的女儿，美丽的李鹭也渐渐地走向了“心与心”相连的温馨旅程……

简介：在捕鱼社区里，有些东西把鱼吓走了，因此当地政府找专家来查明真相。当科学家到达后，人们就开始失踪，而只发现它们部份的尸体。 会不会是湖里的一只史前巨大鱿鱼乾的呢？ 或者有更合理的解释吗？

简介：两位女演员（夏洛特·甘斯布、碧翠斯·黛尔）讲述女巫的故事。

简介：本片是一部有喜剧色彩的惊险科幻片，美国一家研究飞行器导航系统的实验室遭非法组织洗劫，一项正在进行的物体微型缩小实验遭受破坏，原本计划注入一只兔子体内的缩小微型飞行器，被项目负责人奥兹博士在被追杀途中注入一个叫杰克·迈克的超市售货员体eee。杰克有着间歇性高度兴奋的心理疾病。回到家里，杰克不仅发现有一个来自体内的声音与自己说话，与此同时还遭到不明杀手的追杀。rn　　注入杰克体内的，正是导航系统实验中被微型缩小的一个最尖端的飞行器，飞行器内，“叛逆宇航员”塔克正驾驶被微型缩小的飞行器在杰克体内“遨游”。通过杰克的视网膜和神经系统，塔克不仅能与杰克说话，还能指挥杰克与不明身份的杀手周旋搏斗。由于飞行器内氧气储备最多只能支持到第二天早上九点，要想还原被微型缩小飞行器和飞行器里的塔克，必须找到两快集成电路板中被非法组织拿走的那一块。rn　　在塔克的指挥下，杰克开始寻找非法组织。塔克无意间“看”到迎面走过的两个月前离他而去的女朋友莉迪娅后，指挥杰克引起莉迪娅的注意，使得莉迪娅也加入到行动当中来。莉迪娅是报社记者。最近得知一个消息，一个叫“牛仔”的惯偷受雇于一个非法组织，目标很有可能就是微型缩小集成电路板。在与杰克的接触中，莉迪娅惊讶于杰克对自己的了解。这种细致入微的了解中，只有有过肌肤之亲的塔克才会知道的。rn　　“牛仔”的目标果然不出莉迪娅所料。发现这个情况后，塔克启动电子模拟系统，对杰克的面部神经进行刺激，将杰克的容貌变成“牛仔”，使得杰克有机会见到藏在幕后的非法组织头目斯克雷蒙。细微的变化被斯克雷蒙发现后，杰克和莉迪娅被斯克雷蒙绑架，好在此时的杰克已经乱中取胜地拿到了被斯克雷蒙拿走的那块电路板。rn　　杰克被推进实验室的那一刻，尽管塔克给杰克以抗争的力量，但依然被斯克雷蒙注射进一个同样微型缩小的飞行器。两个飞行器在杰克的体内相遇，一番交手，塔克占领上风，斯克雷蒙的飞行器在杰克强大胃酸的腐蚀下化为乌有。此时，塔克还原的希望因为飞行器内氧气储备接近极限而面临危险。杰克和莉迪娅飞驰般地赶到导航系统实验室，利用杰克夺回的还原放大集成电路板还原飞行器，不仅挽回一项遭受破坏的科学实验，更挽救了塔克和莉迪娅之间已经走到边缘的爱情。

简介：故事讲述一名有良知的记者出庭作证后，怀疑自己冤枉了好人，之后在自家一直心神不安，接着撞见鬼鬼祟祟的邻居之后，又目睹另一起凶案的发生，自后携同当秘书的女友一起侦查。--甜蜜电影字幕组

简介：张楠（陈晓东 饰）是一名事业有成的成功人士，在一场派对中，张楠遇见了名为乐儿（尹航 饰）的女子。乐儿的热情和美丽很快就吸引了张楠的注意，令他坠入了情网。之后，张楠对乐儿展开了热烈的攻势，没过多久，乐儿便沦陷了。　　让张楠没有想到的是，在一夜激情后，乐儿便失去了踪影，音信全无。原来，对于乐儿来说，张楠只不过是她和云川（安钧璨 饰）用网子网住的一条大鱼罢了，在虚假的爱情的背后，藏着不可告人的阴谋。张楠再度和乐儿取得了联系，这失而复得让他更加珍惜身边的美人儿，随着时间的推移，乐儿的逢场作戏也渐渐变了味，她发现自己真心爱上了张楠。

简介：津田义春（冢本晋也 饰）是某保险公司的业务员，他终日奔波劳碌，委曲求全，过着紧张乏味的生活。这天，义春在回家的路上遇见了高中时代的同学小岛拓司（塚本耕司 饰）。因不可告人的过去，义春刻意疏远这个招人厌烦的同学，然而拓司却自顾自闯进他的生活，甚至调戏义春的女友（藤井かほり 饰）。　　恼羞成怒的义春前去理论，反被拳击手出身的拓司痛揍一顿。由这一刻起，拓司、义春及其女友的生活发生巨大的变化……　　本片荣获1996年布鲁塞尔国际奇幻电影节特别荣誉奖和1996年日本电影旬报最佳新人奖（冢本耕司）。

简介：20岁的金秋雨来到广东打工，在清苦的打工生涯中，她认识了比自己大8岁的同乡罗小光，他们之间发生的事足以让任何一个人都崩溃.绝望.痛不欲生，最终秋雨选择面对，她用宽广的胸怀和伟大的爱演绎着她平凡的人生。