守望一生

简介：Memorial Day, 1993. When 13-year-old Kyle Vogel discovers the World War II footlocker belonging to his grandfather, Bud, everyone tells Kyle to put it back. Luckily, he ignores them. Although Bud has never talked about the war, he finds himself striking a deal with his grandson Kyle can pick any three souvenirs, and Bud will tell him the stories behind each one. Memorial Day not only takes us on a journey into Bud's complicated wartime past, but also into Kyle's wartime future. As the two men share parallel experiences in combat, they come to realize how that magical day on the porch shaped both of their lives.

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：四名艺高人胆大兼自称拥有超自然力量的人，为了十万英镑冒险闯进盛传冤魂不息的地狱之屋，誓要证实鬼神之说。四人态度各异，有人相信鬼魂的存在，有人更相信能与它们沟通，有人则是无神论者。姑无论如何，创进猛鬼屋就等于半只脚踏进地狱之门，血腥死亡，触目惊心，恐怖吓人，惨叫声不绝，鬼影幢幢……你有胆进入叫你心脏停顿的地狱之屋吗？

简介：民宇（姜东元 饰）是一位小有名气的畅销书作家，他和女友恩惠（孔孝真 饰）相恋多年，两人正在筹备婚事，在幸福和期望中等待着携手步入婚姻殿堂的那一天。随着婚期的接近，民宇开始做起了怪梦，梦中出现了自己曾经死于意外的初恋女友。与此同时，一位名叫美美（李允熹 饰）的神秘女子出现在了民宇的身边，她好像幽灵一样无处不在但又随时会消失。　　有关前女友的模糊记忆和神出鬼没的美美持续困扰着民宇，让他的精神走到了濒临崩溃的边缘，目睹男友怪异的举动和消沉的情绪，恩惠对他们的感情产生了怀疑。更糟的是，民宇发现自己的记忆似乎出现了错乱。

简介：韩素瑛在丈夫于战争中身亡后，便在香港一家医院当医生，偶然在鸡尾酒会里认识美国新闻记者马克，才又尝到了恋爱的滋味。当两人正陶醉于爱情时，朝鲜战争爆发，马克也被派往战区工作，却从此一去不回

简介：上半场：1980年代一对【感情不合的夫妇】在开车离婚的途中车祸遇难，留下6岁儿子。30年后，儿子长大后成了一名中年富翁，他认识了1名年轻的小伙和1个女孩，并相信他们就是自己转世的父母——但后者对前世的记忆并不知情。尽管如此，已经人到中年的儿子决心要把【今世】比他年轻许多的“老爸和老妈”撮合在一起。　　下半场：1920年代一对【感情极好的夫妇】在开车回家的途中车祸遇难，留下6岁儿子。80年后，儿子已经成了一名90岁的老汉，他认识了1名中年的男子（就是第一个故事里的亿万富翁）和1个女护士，并相信他们就是自己转世的父母——但后者对前世的记忆并不知情。尽管如此，已经90岁高龄的的儿子决心要把【今世】比他年轻许多的“老爸和老妈”撮合在一起。　　儿子【超越时空】为父母撮合做媒的桥段，让人不禁联想起1985年的经典科幻片《回到未来》。　　事实上，在《我们》尚未上演之前，的确就已经有报道透露说，这部电影的确是从《回到未来》中获得了灵感。　　（小提示：注意片中那个每次出现在车祸地点的钟楼，也是《回到未来》中至关重要的标志性场景。）　　不过我觉得很巧妙的是，在片长近3个小时的《我们》中，泰卢固编剧相当于是讲了2个【儿子【超越时空】为父母撮合做媒的】这样的转世故事，而且天衣无缝地把2个故事融合到一起。

简介：本片根据俄国神话故事改编。龙女帮助萨特阔同商人打赌而获胜，于是萨特阔便装满一船货物去外地寻找“幸福岛”。萨特阔游览了许多国家后，返回诺甫哥洛德，他得出的结论是：幸福在祖国。

简介：剧情简介暂缺，敬请期待

简介：为了照顾患癌的母亲，喜剧作家戴维搬回父母那里。这一年，母亲的健康每况愈下，父亲仍无法接受他的性取向，丢了工作，没了男友，过得很糟糕。当厄运降到别人头上时，总感觉是发生在其他人身上的事，怎料到，当厄运降到我们头上时，我们就成了其他人眼中的“其他人”。不过，在死亡面前，一切都变得微不足道......

简介：善良正直的女孩钱小菲（刘颖 饰），在失业几个月后，没钱续交房租，被房东硬安排一位高价租房子的帅哥旅友雷郑宇（郭品超 饰）跟她一起合租，无奈开始了合住生活，由于两个性格习惯不合，闹了好多笑话。　　小菲通过努力终于找到了一份不错的工作，在国际美容机构魅力公司当副总经理（骆达华 饰）助理，而副总正是同学莎莎（刘羽琦 饰），此人深爱美容，自己也托美容之福身材脸蛋变得堪称完美，让雷郑宇弟弟雷小志（周觅 饰）疯狂着迷。这家美容公司有很多名人都是会员，让小菲充满了期待，公司首席研发教授陈教授（黄子腾 饰）正在对客户推广一种新研制的抗衰美容针。小菲在整理档案过程中发现了问题，用量过大会产生副作用，并告诉了朋友莎莎，可莎莎并没有因为小菲告知而感谢她，反而将她支开去做其他事情，幕后黑手是娘娘腔的曹经理？还是陈教授？难道莎莎也参与其中？小菲没有头绪，直到莎莎的脸上也出现了副作用反应……

简介：因经营不善，木棉问屋老板古泽新兵卫（志賀廼家弁慶 饰）破产，连老婆的嫁妆也赔个精光。古泽厌烦了女人的聒噪，起身逃到当初被他资助的艺妓梅吉（梅村蓉子 饰）处暂住。碍于情分，梅吉开心地收留了古泽，但却引来梅吉的妹妹“小玩意”（ 山田五十铃 饰）的不满。　　不同于自小长在祇园的梅吉，女子学校毕业的“小玩意”泼辣自我，她不相信男人所谓的甜言蜜语。为了避免生活陷入困境，她开始计划为姐姐寻找新的资助人……　　改编自依田义贤同名原作，荣获当年日本电影旬报十佳电影第一名。

简介：赛巴斯提安和玛雅是非常不同的两个人。当玛雅的未婚夫在圣诞节和她提出分手，她接受了造访西部亲人的邀请。她在12月22号到达机场，发现赛巴斯提安也在飞机上。但命运还有更残酷安排的等着她。天气问题迫使所有航班取消。塞巴斯蒂安又有了一个计划租一辆车一起开到西部去。这次意想不到的事情发生了，他们爱上了彼此。因为和各自的亲人共度了圣诞，他们意识到彼此才是自己最想要的人。