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一英里

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2.0 |05月18日 |HD
简介:
一位父亲刑满释放后,试图通过带女儿参观大学校园来修复父女关系。然而,当一个凶残的邪教开始追杀他们时,两人所要拼命守护的,早已不只是那段早已破碎的亲情。
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简介:

  这是一个关于环保、科技与未来的电影,主要通过一对恋人的爱情故事,揭示人类工业发展让地球负担加重,未来地球有可能消耗殆尽。在这之前环保问题最为重要,人类不断努力去解决社会发展与环境资源的平衡,但这是永恒的问题。环境的紊乱让人们躁动起来,但正义之师永远不会灭亡,就像追求真理的脚步永远不会消失。本片通过星际警察艾薇儿与科学家平凡这两个人的欢喜爱情故事,表达无论身处什么样的环境,都要以人类的集体利益为重,要保持善良、积极、正确的价值观。面对失败需要努力争取胜利,把全人类的事业放在第一位,而爱情也是崇高无上的。人类的情感赋予我们更好的未来,我们要合理的发挥我们的情感,使之投入到工作中,为集体的事业而努力。集体由个体组成,所有人都有义务为社会尽责,面对罪恶我们会悉心教导,并使其改正。人类文明让我们有了今天的生活,希望未来无论我们遇到什么困难都要努力克服,为个人、家庭、集体、国家、全人类而发光发热。

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保沃历险记
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简介:

  An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.
  There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!"
  About the director
  Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.

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