重获光明之旅

简介：“棍棒成佛，无心为魔aaa。金蝉子九世西行，皆葬于流沙河中。留存执念，去心化魔，名曰无心。至第十世玄奘，得石猴，天蓬护送取经，再度流沙河……《齐天大圣·万妖之城》的故事取材自西游记，而历史中的唐僧西行取经的过程中，总是孑然一身，独自面对一路的波折和困苦，心存大义，向往普渡众生，世间善良。一路多少艰难自不必多说，但真正的阻力，却始终是直指本心。阳光的背面阴影始终留存，当善恶的边缘开始模糊，当纯真和美好遭遇践踏，纵使一身本领通天，也会落得无计可施，深陷绝望的境地。只是，勇敢的人们仍然会在最黑暗的角落创造出光明，即便身陷囹圄，也不会放弃斗争。明知必将牺牲，却依旧心甘情愿。棍棒有心，斗争才能创造希望。虽然，正义最终会战胜邪恶，可当发现正邪都源于自己的时候，如果你开始犹豫，请不要忘记那颗最初纯真的心，为了它去战斗，去努力。不忘初心，方得始终。

简介：十三个关于死神死亡的恐怖短片集，以死神翻黑桃扑克牌串联起来。每个故事都会出现一张黑桃扑克牌

简介：在得到一对耳环后，Valerie遇到了一些奇怪的事情。她的梦幻冒险开始于她将自己想象成一个面目丑陋的主教的女儿，村庄变成了吸血鬼和巫婆的据点。迅速膨胀的性知觉以及更进一步的越轨尝试，使得Valerie必须面对一个挑战并唤醒她的爆炸性的超现实世界。在这部超现实梦幻曲中，梦境与现实的界线是模糊的。

简介：電視電影：狗是个黑帮小混混，跟随大佬十多年，从无建树，只是被同伴取笑的对象。有次奉大佬之命向牛问一笔失款下落，意外地被牛走脱了，却因而认识了牛妻。 大佬带齐狗等人马找牛晦气，着牛与龙打架，龙意外地杀死了牛，从此成为通缉犯。 龙为接济失去丈夫的牛妻，因而盗用了大佬九千多元，被大佬追杀，无意中割伤了大佬的脸，然后逃到牛妻家，大佬誓要杀他而后快，并将他杀死牛的事告知警察，于是龙躲在牛妻家不敢外出。 后来龙与牛妻日久生情，与牛子亦建立良好关係，牛妻于是以身相许。 最后龙找大佬道歉，要求塬谅，但大佬还是要杀他，于是二人展开生死相搏，都受了重伤，龙被警方捉住，判入监房。

简介：土耳其首部获柏林电影节金熊奖电影。在传统封建的农业社会中，水源代表权力。小村饱受干旱之苦，Hasan为了向Osman争取与群众分享水源，引起兄弟间的纷争，结果Osman杀了人，Hasan为他顶罪入狱，连妻子子也归Osman所有。

简介：本剧是NBC颇具震撼力的电视迷你短剧《10.5》（地动天惊）的续集和终结篇。在上一集中，强烈的地壳运动所引发的10.5级恐怖地震毁灭了美国西海岸，改变了地核结构，直接威胁到到北美甚至整个西半球，造成了一系列连锁灾害：夏威夷被海啸吞没，胡佛被摧毁，洛杉矶沉没……《10.5 Apocalypse》（毁灭之日）的视觉效果达到了同类迷你剧中的高水准。　　为了拯救更多的生命、挽救国家，Hollister总统（扮演者：艾美奖和金球奖双料明星Beau Bridges，SG-1 第九季中可爱的将军）决定孤注一掷。他找来全国最顶级也是最有争议的地震学家Samantha Hill博士（扮演者：艾美奖得主Kim Delaney）和她的上司兼前男友Jordan Fisher博士（扮演者：David Cubitt），评估最近一次地震所带来的冲击。Hill绞尽脑汁，没办法弄明白为什么会有持续不断的地震和火山爆发，但她意外发现了也是地震学家的父亲（扮演者：Frank Langella）多年前作出的一个难以置信的假设。如果这个假设正确，将会有更大的灾难到来，北美大陆也将彻底被改变：将被分割成两块独立的大陆。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：麦克马斯克斯（克拉克·盖博 Clark Gable 饰）和桑德（斯宾塞·屈塞 Spencer Tracy 饰）是两名石油开采者，在经历了一系列的失败和破产之后，总算赚来了足够的钱，不仅偿还了债务，还在石油开采业站稳了脚跟。　　一天，麦克斯马斯克斯在小镇上邂逅了一位名叫贝斯迪（克劳黛·考尔白 Claudette Colbert 饰）的女孩，两人共度了浪漫的一夜，然而，当麦克斯马斯克斯向贝斯迪表露真情时，后者却后娱乐。原来，桑德也爱慕着贝斯迪，最终，桑德选择了离开这段三角恋，成全了麦克马斯克斯和贝斯迪的爱情。哪知道在两人结婚一周年纪念日那天，贝斯迪发现麦克马斯克斯出轨了，得知此事怒火中烧的桑德和麦克马斯克斯一刀两断。

简介：该影片是由最高人民检察院影视中心与文投控股联合出品的电影，确定由麦兆辉担任导演，由井柏然、刘德华、张家辉、俞飞鸿等一线演员担任主演。影片扫黑除恶主题符合当下主旋律，电影《检察风云》在扫黑除恶的背景下，牵扯出二十多年前的一起盗墓凶杀案，剧情错综复杂，疑问重重。《检察风云》在主旋律题材下，引入当下受年轻人欢迎的盗墓题材，以及较少涉及的检察题材电影。讲述了当今在国家进行扫黑除恶斗争中，检察官是如何担当如何作为的。影片原创编剧是清华大学法学硕士、三级高级检察官、清华大学法律硕士联合导师赵鹏，有了专业的剧本加持，定能为我国检察题材电影添砖加瓦。

简介：仁村雄二（小田切让饰）和有田守（浅野忠信饰）是好朋友，同在一家工厂打工。守养了一只红色的水母作宠物，这只闪闪发亮却是有着剧毒的生物。　　一天，他们的老板来到公寓，伸手去逗水母，守有意阻止了雄二的警告。被水母弄伤的老板恼羞成怒把守解雇了，结果是守先雄二一步去发泄怒火。守被捕入狱，他委托雄二照顾水母。　　守的父亲真一郎（藤龙也饰）也来探监，他试图重建与儿子的关系，尽管他们有五年没见。但守的猝死令朋友和父亲都陷入悲伤中，互相寻找安慰的两个男人相依为命。一次水母意外逃走，他开始每日将饲料撒入河中，以确保水母能够活下来。后来，电视里播出河道内水母大量繁殖成灾的新闻……

简介：一个曾经丧失人性的刑讯逼供者.在几十年之后接受电台记者的采访重新回忆自己那段罪孽深重的过去.他以前拷问别人,现在却接受这个记者的“拷问”.在这个下午,拷问的不仅仅是他本人,也拷问了人性,拷问了整个社会制度。

简介：这一杯酒到下一杯酒之间，就是他们人生的全部。虽醒犹醉，男孩老鼠人生裡无所事事，菜市场裡厮混，好不容易遇上阻街的哑巴少女，生活又有了重心。老鼠崇拜表姊的恋人硕哥，硕哥却是万人迷，酒店挂牌牛郎正当红，连老鼠出了柜的哥哥上禾都心动，是酒让人迷，还是人生越喝越清楚，面对上禾诱引，硕哥生命裡以为永恒不变的定律就要鬆动。当家不成家，模糊爱与性别的分隔，一切都还有可能，逼临生命底线，与死亡贴面跳舞竟激出无比生命，随著母亲的身影呼之欲出，他们是在黑暗中逐光，或是梦裡寻梦一场空？生猛淋漓影像，凶猛议题，青春与情欲饱胀竟无处可洩，张作骥电影集大成之作，从城市和生命的双重边缘回望，成一页废墟美学，也是废人美学。