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第10集

4.0 |05月19日 |更新至第30集
简介:
吞噬人的黑洞,是源自人性受傾軋而誘發的瘋癲  本片入選2019 富川奇幻影展  導演:卓立  主演:溫貞菱、蔡淑臻  劇情簡介:年輕女子朱婷住在一個對住戶整潔有嚴格要求的社區,數次未達標準。朱婷被房東太太下了最後通牒,必須在管理處下次造訪時讓住家窗明几淨。朱婷使盡全力,唯獨就是無法抹去牆上的一塊黑色汙漬,甚至到處蔓延開來,逼得朱婷不得不使用極端的方法 …
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我仍在此
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2025年05月16日上映
我仍在此
6.0
更新时间:06月04日
主演:费尔南达·托里斯,费尔南达·蒙特内格罗,赛尔顿·梅罗,玛乔丽·伊斯恬诺,路易莎·科索夫斯基,瓦伦蒂娜·伊尔扎奇,玛丽亚·马努拉,加布里埃拉·卡内罗·达库尼亚,芭芭拉·卢斯,科拉·拉马略,奥利维亚·托里斯,安东尼奥·萨博亚,吉列尔梅·西尔维拉,梅芙·金琴丝,奥塔维奥·林哈里斯,温贝托·卡劳,卡米拉·马尔蒂拉,丹·斯蒂拉奇,卡拉·里巴斯,考昂·罗德里格斯
简介:尤妮斯·派瓦(费尔南达·托里斯饰)原本拥有一个温馨的家庭,不料丈夫鲁本斯因政治立场被秘密逮捕。尤妮斯在寻找丈夫的过程中,遭遇监禁与酷刑,却始终拒绝屈服。她以柔弱的肩膀扛起养育子女的重担,甚至自学法律,只为揭开丈夫遇害的真相。自此开启长达半个世纪的抗争,从绝望主妇蜕变为人权律师。当丈夫迟到的死亡证明终于交到她手中时,她含泪的微笑既是对历史的控诉,也是对生命的释然!影片根据马塞洛·鲁本斯·派瓦撰写的同名回忆录改编。
5364
2026
我仍在此
主演:费尔南达·托里斯,费尔南达·蒙特内格罗,赛尔顿·梅罗,玛乔丽·伊斯恬诺,路易莎·科索夫斯基,瓦伦蒂娜·伊尔扎奇,玛丽亚·马努拉,加布里埃拉·卡内罗·达库尼亚,芭芭拉·卢斯,科拉·拉马略,奥利维亚·托里斯,安东尼奥·萨博亚,吉列尔梅·西尔维拉,梅芙·金琴丝,奥塔维奥·林哈里斯,温贝托·卡劳,卡米拉·马尔蒂拉,丹·斯蒂拉奇,卡拉·里巴斯,考昂·罗德里格斯
不安
154
1.0
爱情中的背叛
不安
1.0
更新时间:06月05日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
524
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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