成长

　　一位年轻的工作狂公司高管（克里斯汀·贝尔饰）在婚礼当天被抛弃，最后竟和她想都不会想到的人踏上了去加勒比的蜜月游轮之旅：疏远多年、同样是工作狂的父亲（凯尔希·格兰莫饰）。这对父女曾形同陌路，但经过几场欢闹的冒险之旅，共同品尝小伞装饰的鸡尾酒，以及真挚的自我反省后，他们度假归来时，已对家庭和生活有了全新的理解。

　　拥有超能力的刺客阿凯追踪一名杀手来到曼谷，复仇任务演变为从古老的威胁中拯救世界的战斗。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

　　1999年新年前夕，两个不起眼的高中生决定在新千年之前参加一场盛大的派对，但当时针指向午夜，他们想象不到的疯狂事件发生了。

　　奥尔良监狱里新来了两个“无辜”的罪犯：Zack（汤姆·威兹 Tom Waits 饰）和Jack（约翰·劳瑞 John Lurie 饰）。Zack是一个DJ，被女友抛弃后在街上浪荡的他接受了一个朋友的工作：把一辆车开到一个地方，路上他却被警察拦了下来随后在车后座发现了一具尸体；而Jack则被一个老朋友所说服，去见一个年轻貌美的妓女，就在他准备享受一番之时，警察破门而入将他带走。不久，监狱里又来了一个意大利杀人犯Bob（罗伯托·贝尼尼 Roberto Benigni 饰）。三人在一间牢房里闹了不少笑话。百无聊赖的他们计划逃狱，竟然成功了。三人艰辛走过沼泽地，穿过树林，来到了一个意大利女人Nicoletta（尼可莱塔·布拉斯基 Nicoletta Braschi 饰演）住的小屋。Bob和Nicoletta两个意大利人沉浸在爱河中，最后只剩下Jack和Zack继续上路，而他们两人又将在面对岔路口时走向何方......
　　本片由美国独立电影导演吉姆·贾木许Jim Jarmusch执导，为一部黑白电影，参加了1986年的戛纳电影节。

　　1995年，由马特•巴恩斯中尉（沙利文·斯特普尔顿 Sullivan Stapleton 饰）领衔的海豹突击队五人小队前往萨拉热窝进行一次对当地军阀头目进行绑架的英美联合行动。任务顺利完成后，小队队员之一的斯坦顿•贝克（查理·比尤利 Charlie Bewley 饰）在机缘巧合之下从女友劳拉（西尔维娅·侯克斯 Sylvia Hoeks 饰）口中得知了在当地的一处大湖的湖底沉淀着27吨纳粹遗留的黄金。劳拉希望得到黄金，用一半来救助自己的国家，另一半当作小队的酬劳。马特欣然接受了这个提议，但正当他们即将开始行动之时，满腔怒火的军阀头目副手彼得罗维奇(克雷蒙斯·施伊克 Clemens Schick 饰）也正酝酿着自己的复仇计划......

　　哈瓦那（帕特丽夏·阿奎特 Patricia Arquette 饰）和彼得（泰特·多诺万 Tate Donovan 饰） 是一对感情非常要好的恋人，两人在抢劫了一间游乐场后逃回了故乡。他们的故乡是一个民风非常古老而又保守的地方，在那里，法律不值一提，居民们生活信奉的唯一准则就是圣经。
　　在那里，哈瓦那和彼得终于实现了他们的心愿携手步入了婚礼的殿堂，可是婚后没多久，一场可怕的车祸便夺走了彼得的弟弟。根据圣经记载，哈瓦那将再度嫁给彼得年仅十二岁的弟弟西科（约瑟夫·高登-莱维特 Joseph Gordon-Levitt 饰）。哈瓦那决定将曾经抢劫而来的那些赃物物归原主，可是贪婪而又暴力的警探却并不愿意归还她平静的生活。

　　拳霸製作群作品：水银人 Mercury Man
　　内容大致叙述一位消防员偶然到了特殊超能力，便开始了正邪不两立……武打动作方面很有看头！

　　陈百兄妹自小在戏班长大，走南闯北，练得一身好武功。陈百（刘家良 饰）为人豪爽、武功高强、当地街坊都对他十分敬仰，却因此成为当地恶霸段长远（罗烈 饰）的心头之患、欲除之而后快。段长远于是计上心头，利用陈百贪杯的个性，一次，趁他酒醉之际，污蔑他奸污了自己的妻子。可怜陈百以为自己真的酒后乱性、懊悔万分，甘愿被段长远关了起来。妹妹翠红（惠英红 饰）为了救出大哥，决定牺牲自己……

　　警察乔·马绍尔，绰号“武士”，被调到洛杉矶协助警员弗兰克一起抓捕日本黑帮头目。其特立独行和不顾后果的行为让黑帮老大们吃了不少苦，也让警局上司头疼。

　　一名刚毅的特工潜入犯罪集团，却意外与其头目的年轻儿子建立了感情，他的道德因此备受考验。

　　本片是导演有关人性的“生活三部曲”的终结篇章。影片没有线性叙事，由39个场景构成。镜头追随萨姆和乔纳森这对推销搞笑玩具的流动商人的足迹，伴随他们一户户上门兜售商品，如同导游带领观众在不同地点不同人群中游走。影片继承了导演一贯的执导风格，诗意，阴郁，黑色幽默又充满哲学思辨。