迪亚曼蒂诺

　　尼克·比安科 (Nick Bianco) 因袭击罪入狱一年后，准备与他一生的挚爱重聚，却发现她有了一位新的仰慕者，名叫切斯特 (Chester)，而切斯特恰好也是他的假释官。

　　一位已婚的好莱坞特工收到一封关于匿名性接触的神秘信件，并陷入了一个充满谎言、不忠和数字数据的险恶世界。

　　Stacey survives a childhood of abuse and fear, only to face a shocking twist when her brother, Rickie, tells her that he killed their parents. She soon faces further betrayal and legal trouble when Rickie claims that she helped him commit the crimes.

　　该片由意大利喜剧明星切柯·扎罗内（Checco Zalone）自编自演，讲述一个推销吸尘器的小人物为金钱而疲于奔命，用他自己的话来说，“这是贝卢斯科尼 20 年统治下的产物，一个只认金钱不认道德的时代”。

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
　　imdb comment

　　德士当家讲述了在新加坡都市中出租车司机的故事，故事创作灵感与概念，改编自畅销小说《德士司机的日记》里头主人翁的真实故事。葛米星饰演的蔡博士被解雇后找不到工作，自杀未遂，结识了李国煌饰演的的德士司机“阿头”，走投无路的情况下博士做起了德士司机，但也因羞愧于从事这份工作而不敢告诉家人。两人也从不合，转到在生活与个人难题上互相扶持，由冤家变“麻吉”！蔡博士也通过德士司机这份工作重新认识了生活的真谛。

　　Ja-young and her friends decide to shoot a video titled “Spirit Summoning That Tells You Everything” for a YouTube contest with a cash prize. Initially planning to stage the whole event as fiction, they begin filming in the water tank of an abandoned building. However, prompted by Ja-young’s suggestion, they attempt a real séance. Ja-young hopes to uncover clues about her older sister, who went missing when they were children — but what begins as a playful ritual soon spirals into a terrifying experience none of them can handle. What starts out as curiosity and fun gradually transforms into a nightmare. The séance, conducted in a confined and claustrophobic space, is rendered with chilling realism, adhering to the conventions of classic horror. The film skillfully builds tension through the occult element of spirit summoning, while also revealing the slow unraveling of friendships and long-buried secrets, maintaining strong dramatic momentum throughout. Standing apart from typical teen horror, the film boasts high genre polish and gripping performances from actors like Kim Yerim and Lee Chanhyeong. With its immersive terror that makes viewers feel as if they're part of the ritual — and a finale that defies all expectations — it leaves a lasting impression.

　　乡绅沃辛（Michael Redgrave 饰）来到伦敦城内拜访阿尔及（Michael Denison 饰），而实际目的是后者的表妹格温多兰，为了便于探望格温多兰，沃辛虚构了一位伦敦的不肖昆仲欧内斯特。阿尔及对沃辛在乡下监护的姑娘西西莉情有独钟，于是出面帮助沃辛向格温多兰求婚，尽管欧内斯特（真诚）这个假名对姑娘有莫名的吸引力，但沃辛的弃儿出身让未来岳母一口回绝。阿尔及在沃辛之前赶到他乡下的住处，装作欧内斯特如愿结识了西西莉，未几沃辛与格温多兰母女先后抵达，虚拟人物“欧内斯特先生”的骗局终被揭穿，两位男士一时手足无措，但突然浮出水面的一段陈年往事，让两对恋人的前途峰回路转。
　　本片根据王尔德同名作品改编。

　　演员、歌手北村匠海，以短篇电影《不再征服世界》完成导演处女作，将2011年去世的诗歌说唱歌手不可思议/wonderboy的同名歌曲改编成电影。受到这首歌强烈影响的北村，亲自撰写了剧本。故事讲述了内向生活的主人公彼方，在飘飘然却又想要分清黑白的同事星野的某个决断下，意识到“人生的主人公只有自己”。

　　根據轟動全港的「三狼綁架案」改編，題材震撼。油站小工龍威（羅烈），不滿現實冒充闊少，泡上舞女（胡錦）。因被少東揭穿西洋鏡，龍與同黨綁架少東主，卻錯手殺了他，急中生智割其耳朵，勒索老闆不果，龍索性綁架老闆，並成功與同黨瓜分三百萬贖金。然而，天網恢恢……。

外卖员胡杨离婚后生活潦倒，偶然救下跳海怀孕的富家女金子。两人在拮据的同居中渐生情愫，胡杨承诺做孩子父亲。金子父亲出狱后，她被迫回归豪门，前未婚夫程少遒也回头求和。孩子满月宴上，胡杨以“与前妻复合”为借口狠心退出，实则因自卑选择成全。

　　The film tells of how street sweeper Alonso (played by Roberto Álamo) and tarot reader Marisa (Malena Alterio), the proprietors of a delicatessen Torres and Fátima (Jordi Sánchez and María Botto), plastic surgeon Calatrava (Julián López) and influencer Vicky (Kira Miró) have booked a house in the middle of nowhere on the Canary Islands, where they hope to spend the best holidays of their lives with their respective broods.
　　What they don’t know is that, because of a mistake made by the travel agency they used, they have all rented the same house. And none of them is willing to back out, although there is not much of an alternative anyway, which means that they will be forced to share the same living space for the whole of the summer. The glaring differences between each and every one of the occupants will turn these days into a chaotic series of entertaining and messed-up situations. Despite this whole disaster, they have to learn how to live together and how to understand all of these wildly different people – and, above all else, themselves.