我要活下去

简介：因为一个蛋糕，将三种不同的人联系在了一起，人们常常被生活捉弄的疲惫不堪，但也还是要抱着积极的态度看待世界。

简介：本部战争片是对伟大的卫国战争（1941-1945）胜利七十周年的献礼。它围绕着主人公帕维尔•祖博夫的故事展开，他是一名学校老师，作一个老师是他的人生使命。帕维尔所在的村庄被法西斯占领。他相信着基本的人类价值，比如爱情和家庭。然而，一系列事件导致的变化改变了他对生活的认知，使他回到现实。在战争中，敌人逐步显露出其真面目。帕维尔必须做出不易的选择：是生存下去并适应新政权，还是为他的家人，爱情，国土，理想和信念而战。

简介：描写河北梆子剧种及艺人解放前被摧残，解放后得到新生的故事。

简介：娃娃影后李菁在本片饰天宫仙女七妹，因向往凡间生活而偷偷下凡到了七十年初的香港，但七妹兴奋之余，险上阿飞的当，幸得金峰饰的董自立所救；后董的孤儿院遇困境，七妹施法相助，却被指是鬼魂…

简介：天蓬元帅成为猪八戒之前一段秘史，一个所有青少年都经历过的故事，一个合家欢的故事！

简介：1947年3月，国民党胡宗南匪部以15个旅的兵力进犯延安。蒋介石狂妄地宣称：三天内要拿下延安，想以此换取他的主子美帝国主义的美元。敌三十一旅是前卫旅，他们已开始向延安疯狂地进犯。为了更好地争取时间，集中兵力，消灭敌人，我军某旅担负着保卫延安阻击敌人的任务。旅部分析了敌情，敌人若想进攻延安，则必须通过松树岭的咽喉要道。于是，旅部将坚守松树岭的任务交给了由旅部直接指挥的二连。二连指导员牺牲了，旅长便派苏强去指挥二连，并要他们在九二高地到松树岭坚守七天。当阵地几将被敌人攻占时，苏强与通讯员刘小林赶到了，他马上投入战斗指挥，终于打退了敌人的进攻。苏强到阵地后发现二连战士中存在着轻敌骄傲思想，便及时帮助他们纠正了这种思想，并组织战士们抢修工事，打退了敌人数十次的进攻。

简介：同在一个修车店工作的烂口发、交通灯还有吴准少是同事也是好友，他们都不屑老板刘定坚的吝啬刻薄。烂口发因不堪女友的势利眼母亲而忍痛与女友分开了。刘定坚建议伙计们一起跟廉价旅行团到槟城游玩，但到达才知道这个旅行团是货不对版的。但在槟城，烂口发等人认识了在当地拍广告的董董与其好友蚊滋。烂口发想进一步接近董董，便假装自己是富家公子，董董也同样以富家女的身份欺骗对方…

简介：联合国反罪恶组织探员米奇因一次行动失误，拍档被杀而陷于自责之中，其上司尼克为了挽回米奇的自信心，特别派遣美艳动人的特务莎比，与他一起调查名画“午夜之眼”的失窃案。怎料案件背后原来隐藏着另一个惊世大阴谋，二人于是假扮夫妻，不惜千里迢迢远赴香港企图阻止事件发生。可惜事与愿违，二人身份被揭穿，危机一触即发……究竟米奇能否重拾昔日雄风，击破这个大阴谋？而他与莎比的关系又会否弄假成真？

简介：阿洛佐（丹泽尔•华盛顿 饰）是美国毒品缉查部的黑人警探，经验丰富，查案出色，对毒品案件有着敏锐的嗅觉。人称“魔幻之眼”。这天阿洛佐的部门来了一个新同事杰克（伊桑•霍克 饰），杰克跟随阿洛佐深入到街头的每一个阴暗角落，发现这个城市光怪陆离的同时，也慢慢见识了阿洛佐亦正亦邪的办案手法...

简介：2002年导演张元受邀德国世界艺术节的邀请，携中国京剧院江姐一剧，赴科隆大剧院演出。江姐由中国程派大家张火丁扮演。这是中国革命戏剧首次在西方世界展露，该剧在西方世界引起轰动。同年导演张元将其搬上银幕。这既是导演对于中国古典艺术的致敬，同时也是对新中国革命样板戏的反思。

简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

简介：第二次世界大战结束之际，七名德国高中生，满腔热血踏上战场。将军偶然的一番谈话让他们从此誓死保卫桥梁，严禁美军通行。然而年轻人的愚忠和无知，最终只换来好友及同袍纷纷阵亡，在无情战火摧残下，青春的蜕变如此残酷真实。二次世界大战结束前的几周，16岁的艾伯特跟随妈妈逃离了正处于遭轰炸的德国，来到相对安全的巴伐利亚小城。 　　艾伯特不久便与比他年长的沃尔特成为朋友，而这时沃尔特正和29岁的年轻人妇，女教师阿菲姬发生秘密恋情，此时沃尔特的父亲担任国家社会主义党地方主席，为阻止儿子的秘密恋情向警方告发了女教师阿菲姬，不久希特勒军队动员最后一支部队去守当地的一座大桥艾伯特和他的新朋友们应征入伍，对于这群18岁的年轻人来说能够投入战争令他们非常兴奋自豪，此次的任务简真是一次新奇的探险，但战争刚刚打响军队的长官们就逃离战场，坚守大桥的任务彻底留给了这群装备极差的新兵，原本这是一次普通的军事行动，却很快演变成一场生死大战。 　　美国军队的进攻非常猛烈，女教师阿菲姬试图劝说爱人沃尔特退出这场没有意义的战争,然而自豪感及对希特勒的盲目崇拜及服从，驱使沃尔特继续坚守战地大桥，最后沃尔特建议对敌人发动进攻，哪怕只剩最后一名士兵。 　　与敌人的第一场交战就非常激烈，他们七勇士进行了勇敢而顽强的抵抗，促使美国军队受阻无法前进一步，这时艾伯特才第一次意识到他们的处境是多么令人绝望，但沃尔特要继续坚守大桥，不管付出多少生命代价……