Algiers, a few years after the civil war. Amal and Samir have decided to celebrate their twentieth wedding anniversary in a restaurant. While on their way, their share their views on Algeria: Amal talks about lost illusions and Samir about the necessity to cope with them. At the same time, their son Fahim and his friends Feriel and Reda are wandering about in a hostile Algiers about to steal their youth.

　　塞尔默，坐落于东方的一个寻常小镇，因其令人生畏的古怪现象——看上去过着幸福快乐的生活的女孩儿们都在她们十八岁生日当天自杀了——而成为一个诡异的地方。但这并没有打消柯尔斯丁从她的家乡重新回到这个被诅咒的小镇来寻找导致她被收养的事实真相。她那被深埋在过去日子里始终渴望得知的真相必将在其十八岁生日来临之际得以揭开……留存下来的关于死去的女孩们的影像日记指引着柯尔斯丁寻找隐藏在这个中世纪小镇的废墟之下的不为人知的秘密，而这个废墟在不久前刚刚得到重建，并且作为一个博物馆重新对外开放。与此同时一个古老的咒怨伴随着一个伺机报复的可怕的神秘人物再度出现。在她十八岁生日之前柯尔斯丁还有仅仅三天的时间去找到这个秘密的答案，否则，她将成为下一个受害者。在与这个诡异现象的第一个受害者的男朋友——这个小镇当地的历史学家的儿子——合作寻找答案的途中，柯尔斯丁得知这个神秘的诅咒源于几百年前一场备受阻挠的充斥着残酷的欺骗性的爱情，而这场爱情最终毁灭于一个邪恶的女巫之手。罪恶的行径始终都驱使着邪恶的女巫继续作乱。当柯尔斯丁的姐姐玛利亚前来帮忙的时候，他们三个人发现他们正身处一个阻碍他们找寻遗失的关于赫给巴秘密的与时间相悖的错乱空间中。维契托作为一股力量使他们从这个现实生活中的小镇转移到其位于河谷之下的原始地带，并带他们进入到丛林深处，在那里，曾经被毁的古老村舍的断壁残垣依然存在，还有那个曾用来对异教徒执行火刑的被遗弃的墓地……在三人追逐着他们的目标的途中，柯尔斯丁必须要质疑的一个问题是，当受害者的数量仍然持续不下的同时，那些声称愿意对她们此次行动提供援助的村民们是否都坚定可信地站在她这一边。而为这次冒险雪上加霜的是一个古怪的医生对柯尔斯丁三人的百般阻挠，并且，那些死去的女孩都曾是这个医生的病人，而他则被众人怀疑是杀害了这些女孩的元凶。时间在一分一秒地流逝，而就在这个晚上，柯尔斯丁的十八岁生日即将到来……@m.yakutv.cc

　　A couple in their late 30’s sets out to prepare a fake photo album of a pseudo pregnancy period in order to prove their biological tie to the baby they’re planning adopt.

　　歌德（亚历山大·斐林 Alexander Fehling 饰）出生在一个家教甚严的家庭之中，父亲一直希望儿子能够研习法律走上权衡公平与正义的道路，歌德选择听从父亲的话，进入法学院深造。然而，歌德内心的文学之魂一直都在蠢蠢欲动，在学习法律期间，他将大部分的事件都放在了文学创作之上，成绩自然一落千丈，并且最终被学校除名，这让父亲赶到十分生气，为了惩罚儿子的过失，父亲斩断了歌德的经济来源。
　　如此一来，歌德必须依靠自己的双手劳作才能够吃上饭了，他来到了韦茨拉尔法院，成为了那里的一名书记员。一场集会上，歌德邂逅了名为夏洛特（米莉安·斯坦恩 Miriam Stein 饰）的女子，坠入了情网，然而，夏洛特已经是别人的未婚妻了。

　　For 27-year-old Ben (Josh Lawson), life couldn’t be better. A well paid job, friends, parties, girls and nothing to tie him down. But when he is invited back to his old school to join several other ex-students including Alex (Rachael Taylor) and Jim (Ed Kavalee) in talking about their personal achievements, something goes wrong. Ben is the only speaker not to be asked a question by the school kids. This triggers a year of soulsearching and looking for answers in all the wrong places.
　　From his best friend Andy (Christian Clark) whose solution is that they both take another holiday, to his mentor Sam (Lachy Hulme) who loans him a sports car in the belief that there’s nothing like excessive speed to resolve emotional turmoil. Not even Ben’s father (Rob Carlton) or friends Nick (Daniel Henshall) and Em (Felicity Ward) can offer much in the way of meaningful guidance.
　　Of course, it’s not easy seeking enlightenment in nightclubs, or on the ski fields of New Zealand, and when you start dating a Russian tennis star things can get really complicated. As the poster boy for a generation desperate to tick every box, Ben begins to suspect that the meaning of life may well reside in the things he's already doing - and a girl he used to know.

　　爱尔兰都柏林戈尔韦郡探长格里•博伊尔（布莱丹•格里森 Brendan Gleeson 饰）收拾了瘾君子车祸暴毙的残局，迎来了新来报到的探员麦克布莱德，他们勘察犯罪现场，从证据推断杀手的类型，可惜两人思维大相径庭。博伊尔思维极其吊诡，令麦克布莱德完全不得要领。他们曾一同审问嫌疑犯，却发现他只是替死鬼，真凶仍逍遥法外。博伊尔虽然玩世不恭，但却是个孝子，其母大限将至，他挖空心思逗老人家开心。为了破获黑市价值5亿的毒品走私案，美国FBI探员温德尔（唐•钱德尔 Don Cheadle 饰）开始为警官们做案情分析，却屡屡遭博伊尔打断，正当上司要将博伊尔开除时，后者却一针见血地指出了报告中的最大漏洞——四名嫌疑犯中已有一人躺在太平间。这令温德尔对这个拿种族歧视开玩笑的博伊尔刮目相看。麦克布莱德在执勤中意外遭到哲学范儿歹徒杀害，他的妻子上门寻夫，让博伊尔倍感责任重大，他与温德尔踏上了缉凶之旅……

　　Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
　　"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

　　西班牙语电影，表现了1862年5月5日普埃布拉之战，此役是第二次法墨战争中墨西哥共和军少有的胜利。

　　影片讲述一位抢劫犯为保住他的钱包殴打一位老太太，这次事件让他想起过去的犯罪记忆，从此他无法继续安安心心地过正常日子。
　　阿根廷的失业青年米盖尔干起了抢劫的勾当。他和狐朋狗友骑着摩托车抢走了一个刚刚走出家门的老太太的包。老太太死死地拽住包不肯撒手，他们的车子拖着老太太开了很远...知道老太太撒手倒在地上。事后，米盖尔有些担心老太太被自己弄死了，回过头去医院找到老太太时，老太太已然失忆...关于善良和救赎的探讨，再加上一辆摩托车。

　　冬天，警察局里，警察正在审问十四岁的玛拉。被捕时，他开着一辆偷来的奥迪跑到离家很远的地方。他和性格古怪的希都斯出发去寒冷的南方平原探险，但他讲述起来轻描淡写，又绝口不提任何细节，让人觉得疑点重重。随着情节的展开，发生或消失的每一件事都衍生出各种各样的可能性。影片也是关于在冬日里依旧顽强地嗡嗡叫的小苍蝇，讲述了男孩子们之间的友谊纽带以及无法克制的冒险欲望——即便根本不知道会经历什么，人们依旧会上路。