播放记录

终点到达
864
2.0
2018年10月12日上映
终点到达
2.0
更新时间:06月04日
主演:阿萨·巴特菲尔德,麦茜·威廉姆斯,妮娜·杜波夫,佩顿·李斯特,泰勒·霍奇林,郑肯,索尼亚·瓦格尔,大卫·科恩查内,泰塔斯·伯吉斯,马格特·宾汉,科林·莫斯,罗丝玛丽·霍华德,布丽亚娜·范思克思
简介:19岁的加尔文是一名在机场工作的地勤人员。因为对高空的恐惧,他从来没有上过飞机。加尔文的妹妹在加尔文八岁生日那天死于车祸,驾驶车辆的妈妈也因此受到了刺激,患上抑郁症。此后的加尔文终日活在忧虑中。因为害怕在随时可能出现的意外中死去,他养成了写病症日记的习惯,一点点不舒服都使他十分焦虑。在一次看病时,医生提议让加尔文去支持小组解决心理问题。百般不情愿的加尔文在无奈之下来到了支持小组。在小组中,加尔文遇到了16岁的斯凯。交流中,加尔文得知斯凯已是癌症晚期,时日无多。斯凯也对这个小组中的新人好奇不已。一次偶然的机会,加尔文发现斯凯有一份遗愿清单。出于同情,他答应陪着斯凯一起完成。逛商场、偷内衣、进警局、参加变装派对、测谎、跳水……当一项项愿望完成,加尔文才意识到,自己对斯凯已经不仅仅是同情,斯凯渐渐走进加尔文的内心世界,帮助加尔文面对自己的内心,摆脱对生命的恐惧。斯凯的生命终于还是走向尽头,加尔文用自己的方式送别朋友并且克服心理障碍登上飞机,面对自己未知的生活。
992
2025
终点到达
主演:阿萨·巴特菲尔德,麦茜·威廉姆斯,妮娜·杜波夫,佩顿·李斯特,泰勒·霍奇林,郑肯,索尼亚·瓦格尔,大卫·科恩查内,泰塔斯·伯吉斯,马格特·宾汉,科林·莫斯,罗丝玛丽·霍华德,布丽亚娜·范思克思
云中行走
863
5.0
已完结
云中行走
5.0
更新时间:05月19日
主演:约瑟夫·高登-莱维特,本·金斯利,夏洛特·勒·邦,詹姆斯·戴尔,克莱门特·史鲍尼,凯撒·东布瓦,本尼迪克特·萨缪尔,本·施瓦茨,史蒂夫·瓦伦丁,马克·卡马乔,夸西·宋桂,帕翠西卡·图拉斯内,杰森·德里恩,拉里·戴,梅兰莎·布莱克索恩,娜塔莉·希波蒂,塞尔吉奥·齐奥,凯瑟琳·勒米厄,菲利普·苏西
简介:从小就拥有杂技表演天赋的菲利普·帕特(约瑟夫·高登-莱维特 Joseph Gordon-Levitt 饰)在街头卖艺时,邂逅美丽的街头音乐女孩安妮(夏洛特·莱本 Charlotte Le Bon 饰)。偶然的机会,菲利普得知纽约世贸双子大厦即将竣工。从此,菲利普就萌生了在这两座摩天大厦间走钢索的的想法。然而这疯狂的“艺术犯罪”却遭到了一系列的质疑和误解,但这并没有击垮菲利普的坚定信念,他深入调查缜密部署,先后得到走钢丝经验丰富的鲁迪爸爸(本·金斯利 Ben Kingsley 饰)的执导,以及让-路易(克雷蒙·史鲍尼 Clement Sibony 饰)和杰夫(塞萨·多姆波伊 César Domboy 饰)等人的帮助。在110层412米的云中,菲利普开始了他的钢丝行走。  本片根据法国杂技艺术家菲利普·帕特的个人自传改编,翻拍自2009年奥斯卡最佳纪录长片《走钢丝的人》,真实还原了1974年8月7日的惊世壮举。
2045
2015
云中行走
主演:约瑟夫·高登-莱维特,本·金斯利,夏洛特·勒·邦,詹姆斯·戴尔,克莱门特·史鲍尼,凯撒·东布瓦,本尼迪克特·萨缪尔,本·施瓦茨,史蒂夫·瓦伦丁,马克·卡马乔,夸西·宋桂,帕翠西卡·图拉斯内,杰森·德里恩,拉里·戴,梅兰莎·布莱克索恩,娜塔莉·希波蒂,塞尔吉奥·齐奥,凯瑟琳·勒米厄,菲利普·苏西
盲目的丈夫们
862
9.0
已完结
盲目的丈夫们
9.0
更新时间:05月19日
主演:萨姆·德·格拉斯,FranceliaBillington,埃里克·冯·施特罗海姆,FayHolderness,RichardCumming
简介:Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
873
1919
盲目的丈夫们
主演:萨姆·德·格拉斯,FranceliaBillington,埃里克·冯·施特罗海姆,FayHolderness,RichardCumming
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