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欧洲歌唱大赛:火焰传说
569
7.0
HD中字
欧洲歌唱大赛:火焰传说
7.0
更新时间:05月18日
主演:威尔·法瑞尔,瑞秋·麦克亚当斯,丹·史蒂文斯,皮尔斯·布鲁斯南,黛米·洛瓦托,米卡埃尔·佩斯布兰特,格拉汉姆·诺顿,詹米·德米特鲁,娜塔希娅·德米特鲁,奥拉维尔·达里·奥拉夫松,约翰内斯·豪克尔·约翰内森,托马斯·勒马尔奎斯,妮娜·道格·菲利普斯多提,梅丽桑蒂·马休特,巴比·洛克伍德,比约恩·西鲁·哈瑞森,埃莱娜·卡多纳,埃琳娜·沙雷,露丝·霍洛克斯,卡加莎·莫翰玛,古德蒙杜尔·托瓦德松,伊莲娜·艾尔米纳斯,约翰·G·约翰森,朱利安·米勒,阿恩门迪尔·恩斯特·比约恩松,丹尼尔·厄根,杰森·莱恩斯,马克·
简介:

  雄心壮志的冰岛音乐人拉斯和席格芮得到千载难逢的机会,代表国家参加全球最盛大的歌唱比赛。他们终于有机会证明:值得做的梦,就值得勇敢去追。

5327
2020
欧洲歌唱大赛:火焰传说
主演:威尔·法瑞尔,瑞秋·麦克亚当斯,丹·史蒂文斯,皮尔斯·布鲁斯南,黛米·洛瓦托,米卡埃尔·佩斯布兰特,格拉汉姆·诺顿,詹米·德米特鲁,娜塔希娅·德米特鲁,奥拉维尔·达里·奥拉夫松,约翰内斯·豪克尔·约翰内森,托马斯·勒马尔奎斯,妮娜·道格·菲利普斯多提,梅丽桑蒂·马休特,巴比·洛克伍德,比约恩·西鲁·哈瑞森,埃莱娜·卡多纳,埃琳娜·沙雷,露丝·霍洛克斯,卡加莎·莫翰玛,古德蒙杜尔·托瓦德松,伊莲娜·艾尔米纳斯,约翰·G·约翰森,朱利安·米勒,阿恩门迪尔·恩斯特·比约恩松,丹尼尔·厄根,杰森·莱恩斯,马克·
欧洲的某个地方
645
6.0
已完结
欧洲的某个地方
6.0
更新时间:05月19日
主演:ArtúrSomlay,MiklósGábor,ZsuzsaBánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
5694
1948
欧洲的某个地方
主演:ArtúrSomlay,MiklósGábor,ZsuzsaBánki
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